Mujeres radicales: arte latinoamericano, 1960-1985
- – This is a past exhibition
El Hammer Museum presenta Mujeres radicales: arte latinoamericano, 1960-1985, una exposición innovadora que constituye la primera historia de las prácticas de arte experimental de mujeres artistas en Latinoamérica y Chicanas y Latinas nacidas en los Estados Unidos entre 1960 y 1985, un periodo clave en la historia de América Latina y en el desarrollo del arte contemporáneo. Abordando un vacío de la historia del arte, Radical Women (Mujeres radicales) incluye quince países, representados en la exposición por 120 mujeres artistas y colectivos, con más de 280 obras en fotografía, video y otros medios experimentales. Entre las mujeres incluidas en la exposición, se encuentran figuras emblemáticas como Lygia Clark, Ana Mendieta y Marta Minujín junto a nombres menos reconocidos como la artista abstracta Zilia Sánchez nacida en Cuba, la escultora colombiana Feliza Bursztyn, y la video artista brasilera Leticia Parente.
Comunicado de prensa y lista de artistas: El Hammer Museum presenta Radical Women: Latin American Art, 1960‐1985, (Mujeres radicales: arte latinoamericano, 1960-1985), 28 de septiembre de 2016
Cronograma de visitas guiadas de la exposición
Hammer Museum, Los Ángeles: del 15 de septiembre al 31 de diciembre de 2017
Brooklyn Museum, New York: del 13 de abril al 22 de julio de 2018
Pinacoteca de São Paulo, São Paulo: del 18 de agosto al 19 de noviembre 2018
visitas guiadas en español
Envíe correo electrónico a tours@hammer.ucla.edu para programar visitas guiadas en español. Próximamente estará disponible un cronograma completo de las visitas guiadas en español. Los educadores del Museo Hammer llevan a cabo tours de 45 minutos de obras seleccionadas de la exposición Mujeres Radicales: Arte Latinoamericano 1960-1985 en inglés y español cada Sábado a la 1 p.m. Los educadores del Hammer también conducen pláticas de 30 minutos sobre las relaciones y comparaciones entre dos obras de arte en inglés y español cada domingo a las 3:30 p.m.
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Radical Women: Latin American Art, 1960-1985Gallery entrance, Hammer Museum, Los Angeles, September 15–December 31, 2017. Photo: Brian Forrest. -
Radical Women: Latin American Art, 1960-1985A Timeline of Social and Political Events. Hammer Museum, Los Angeles, September 15–December 31, 2017. Photo: Brian Forrest. -
Radical Women: Latin American Art, 1960-1985Installation view, “Self-Portrait” theme. Hammer Museum, Los Angeles, September 15–December 31, 2017. Photo: Brian Forrest. -
Radical Women: Latin American Art, 1960-1985Installation view, “Self-Portrait” theme. Hammer Museum, Los Angeles, September 15–December 31, 2017. Photo: Brian Forrest. -
Radical Women: Latin American Art, 1960-1985Installation view, “Body Landscape” theme. Hammer Museum, Los Angeles, September 15–December 31, 2017. Photo: Brian Forrest. -
Radical Women: Latin American Art, 1960-1985Installation view, “Performing the Body” theme. Hammer Museum, Los Angeles, September 15–December 31, 2017. Photo: Brian Forrest. -
Radical Women: Latin American Art, 1960-1985Installation view, “Mapping the Body” theme. Hammer Museum, Los Angeles, September 15–December 31, 2017. Photo: Brian Forrest. -
Radical Women: Latin American Art, 1960-1985Installation view, “Resistance & Fear” theme. Hammer Museum, Los Angeles, September 15–December 31, 2017. Photo: Brian Forrest. -
Radical Women: Latin American Art, 1960-1985Installation view, “Power of Words” theme. Hammer Museum, Los Angeles, September 15–December 31, 2017. Photo: Brian Forrest. -
Radical Women: Latin American Art, 1960-1985Installation view, “Feminisms” theme. Hammer Museum, Los Angeles, September 15–December 31, 2017. Photo: Brian Forrest. -
Radical Women: Latin American Art, 1960-1985Installation view, “Feminisms” theme. Hammer Museum, Los Angeles, September 15–December 31, 2017. Photo: Brian Forrest. -
Radical Women: Latin American Art, 1960-1985Installation view, “Social Places” theme. Hammer Museum, Los Angeles, September 15–December 31, 2017. Photo: Brian Forrest. -
Radical Women: Latin American Art, 1960-1985Installation view, “Social Places” theme. Hammer Museum, Los Angeles, September 15–December 31, 2017. Photo: Brian Forrest. -
Radical Women: Latin American Art, 1960-1985Installation view, “Erotic” theme. Hammer Museum, Los Angeles, September 15–December 31, 2017. Photo: Brian Forrest.
![Sandra Eleta (Panamanian, b. 1942), Edita (la del plumero), Panamá (Edita [the one with the feather duster], Panama), 1977](https://hammer.ucla.edu/sites/default/files/styles/large/public/migrated-assets/media/exhibitions/2017/PST_Radical_Women/Eleta__Sandra.jpg.jpeg?itok=DY1RUP-1)
![María Evelia Marmolejo (Colombian, b. 1958), Anónimo 1 (Homenaje a los desaparecidos y torturados dentro de los hechos violentos) (Anonymous 1 [homage to those disappeared and tortured in violent incidents]), 1981.](https://hammer.ucla.edu/sites/default/files/styles/large/public/migrated-assets/media/exhibitions/2017/PST_Radical_Women/Marmolejo__Maria_Evelia_Anonimo_1.jpg.jpeg?itok=pJpYot5h)
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Martha Araujo (Brazilian, b. 1943), Hábito/Habitante (Habit/inhabitant), 1985Documentation of performance: four black-and-white photographs. 6 7/8 × 8 7/8 in. (17.5 × 22.5 cm) each. Collection of Martha Araújo; courtesy of Galeria Jaqueline Martins. ©the artist. -
Martha Araujo (Brazilian, b. 1943), Para um corpo nas suas impossibilidades (For a body in its impossibilities), 1985Documentation of performance: three black-and-white photographs. 8 5/8 × 6 11/16 in. (22 × 17 cm) each. Collection of Martha Araújo; courtesy of Galeria Jaqueline Martins. ©the artist. -
Feliza Bursztyn (Colombian, 1933–1982), Cama (Bed), 1974Assemblage with stainless steel scrap, cot, satin sheet, and motor. 43 5/16 × 70 7/8 × 27 9/16 in. (110 × 180 × 70 cm). Museo Nacional de Colombia. Artwork ©the artist. Photo ©Museo Nacional de Colombia / Andrés Mauricio López. -
Graciela Carnevale (Argentine, b. 1942), Acción del encierro (Lock-up action), 1968Ciclo de Arte Experimental, Rosario, Argentina; Photography: Carlos Militello. Black-and-white photographs. Fifteen sheets: 3 9/16 × 5 1/2 in. (9 × 14 cm) or 5 1/2 × 3 9/16 in. (14 × 9 cm); one sheet: 6 7/8 × 9 7/16 in. (17.5 × 24 cm). Collection of Graciela Carnevale/Archivo Graciela Carnevale. ©the artist. -
Josely Carvalho (Brazilian, b. 1942), Waiting, 1982Silk screen and crayon on paper (diptych). 30 1/8 × 22 1/4 in. (76.5 × 56.5 cm) each. Collection of Josely Carvalho. ©the artist. Photo by Ed Mumford. -
Isabel Castro (American, b. Mexico 1954), from the series Women under Fire, 1980Mixed media, scratched and dyed slides printed on Xerox. Sheet: 10 × 6 1/2 in. (25.4 × 16.5 cm); mat: 14 1/2 × 18 in (36.8 × 45.7 cm). Collection of Isabel Castro. ©the artist. Photo by Jeff McLane. -
![Sandra Eleta (Panamanian, b. 1942), Edita (la del plumero), Panamá (Edita [the one with the feather duster], Panama), 1977](/sites/default/files/styles/large/public/migrated-assets/media/exhibitions/2017/PST_Radical_Women/Eleta__Sandra.jpg.jpeg?itok=DY1RUP-1)
Sandra Eleta (Panamanian, b. 1942), Edita (la del plumero), Panamá (Edita [the one with the feather duster], Panama), 1977from the series La servidumbre (Servitude), 1978-79. Black-and-white photograph. 19 × 19 in. (48.3 × 48.3 cm). Courtesy of Galería Arteconsult S.A., Panama. ©the artist. -
Paz Errázuriz (Chilean, b. 1944), La Palmera (The palm tree), 1987from the series La manzana de Adán (Adam’s Apple), 1982-90. Gelatin silver print. 15 9/16 × 23 1/2 in. (39.5 × 59.7 cm). Courtesy of the artist and Galería AFA, Santiago. ©the artist. -
Lourdes Grobet (Mexican, b. 1940), La Briosa, 1981from the series La doble lucha (The double struggle), 1981-2005. Black-and-white photograph. 14 × 9 1/2 in. (35.5 × 24 cm). Collection of Lourdes Grobet. ©the artist. -
Sonia Gutiérrez (Colombian, b. 1947), Y con unos lazos me izaron (And they lifted me up with rope), 1977Acrylic on canvas. 59 1/16 × 47 1/4 in. (150 × 120 cm). Museo de Arte Moderno La Tertulia, Cali, Colombia. ©the artist. -
Ana Victoria Jiménez (Mexican, b. 1941), from the series Cuaderno de tareas (Assignment book), 1978-81Four sets of ten black-and-white photographs. 25 sheets: 10 × 6 1/2 in. (25.4 × 16.5 cm); 15 sheets: 6 1/2 × 10 in. (16.5 × 25.4 cm). Courtesy of Ana Victoria Jiménez. ©the artist. -
Liliana Maresca (Argentine, 1951–1994), Sin título (Untitled), from the series Liliana Maresca con su obra (Liliana Maresca with her work), 1983Photography: Marcos López. Photo performance: two selenium gelatin silver prints. Sheet: 19 11/16 × 19 11/16 in. (50 × 50 cm); image: 16 1/8 × 16 1/8 in. (41 × 41 cm). Archivo Liliana Maresca and Marcos López. ©the artist. -
María Evelia Marmolejo (Colombian, b. 1958), 11 de marzo—ritual a la menstruación, digno de toda mujer como antecedente del origen de la vida (March 11—ritual in honor of menstruation, worthy of every woman as a precursor to the origin of life), 1981Photography: Camilo Gómez. Nine black-and-white photographs. Five sheets: 11 3/4 × 8 1/4 in. (29.8 × 21 cm) each; four sheets: 8 1/4 × 11 3/4 in. (21 × 29.8 cm) each. Courtesy of María E. Marmolejo and Prometeo Gallery di Ida Pisani, Milan. ©the artist. -
![María Evelia Marmolejo (Colombian, b. 1958), Anónimo 1 (Homenaje a los desaparecidos y torturados dentro de los hechos violentos) (Anonymous 1 [homage to those disappeared and tortured in violent incidents]), 1981.](/sites/default/files/styles/large/public/migrated-assets/media/exhibitions/2017/PST_Radical_Women/Marmolejo__Maria_Evelia_Anonimo_1.jpg.jpeg?itok=pJpYot5h)
María Evelia Marmolejo (Colombian, b. 1958), Anónimo 1 (Homenaje a los desaparecidos y torturados dentro de los hechos violentos) (Anonymous 1 [homage to those disappeared and tortured in violent incidents]), 1981Photography: Fabio Arango. Four black-and-white photographs. Two sheets: 11 3/4 × 8 1/4 in. (29.8 × 21 cm) each; two sheets: 8 1/4 × 11 3/4 in. (21 × 29.8 cm). Courtesy of María E. Marmolejo and Promoteo Gallery di Ida Pisani, Milan. ©the artist. -
Ana Vitória Mussi (Brazilian, b. 1943), A arma (The weapon), from the series Trajetória do osso (Trajectory of a bone), 1968Newspaper cutout and drawing on paper. 10 5/8 × 7 1/2 in. (27 × 19 cm). Collection of Ana Vitória Mussi. ©the artist. -
Marie Orensanz (Argentine, b. 1936), Limitada (Limited), 1978/2013Black-and-white photograph. 13 3/4 × 19 11/16 in. (35 × 50 cm). Collection of Marie Orensanz; courtesy Alejandra von Hartz Gallery. ©the artist. -
Letícia Parente (Brazilian, 1930–1991), Marca registrada (Trademark), 1975Video, black and white, sound. 10:19 min. Private collection; courtesy Galeria Jaqueline Martins. ©the artist. -
Liliana Porter (Argentine, b. 1941), Untitled (Self-portrait with square), 1973Gelatin silver print made from the original negative. Image: 16 1/4 × 11 in. (41.3 × 27.9 cm); sheet: 20 × 16 in. (50.8 × 40.6 cm). Courtesy of the artist. ©the artist. -
Dalila Puzzovio (Argentinean, b. 1943), Escape de gas (Gas leak), 1963Plaster and other materials. 53 1/8 × 31 1/2 × 17 11/16 in. (135 × 80 × 45 cm). Private collection. Artwork © the artist. -
Patricia Restrepo (Colombian, b. 1954), Por la mañana (In the morning), 197916mm film transferred to DVD, color, sound. 8:00 min. Courtesy of the artist. ©the artist. -
Nelbia Romero (Uruguayan, 1938–2015), Sin título (Untitled), 1983Silkscreen. 15 3/4 × 11 7/16 in. (40 × 29 cm). Private collection. ©the artist. -
Regina Silveira (Brazilian, b. 1939), Biscoito arte (Art cookie), 1976C-prints (diptych). 29 1/2 × 39 in. (74.9 × 99.1 cm); 39 × 39 in. (99.1 × 99.1 cm); 69 11/16 × 39 3/4 in. (177 × 101 cm) overall. Collection of Fernanda Feitosa and Heitor Martins. ©the artist. -
Teresinha Soares (Brazilian, b. 1927), Caixa de fazer amor (Lovemaking box), 1967Meat grinder, cloth, plastic tubes, two glass bottles with liquid, wires, oil paint. 23 5/8 × 21 5/8 × 14 9/16 in. (60 × 55 × 37 cm). Collection of Teresinha Soares. ©the artist. -
Amélia Toledo (Brazilian, b. 1926), Sorriso do menina (Girl’s smile), 1976Mold in plaster. 16 9/16 × 13 × 3 1/8 in. (42 × 33 × 8 cm). Collection of Fernando and Camila Abdalla. ©the artist.
Lista de artistas
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ARGENTINA BRASIL CHILE |
Paz Errázuriz (1944) COLOMBIA COSTA RICA CUBA GUATEMALA MÉXICO |
Marta Palau (1934) PANAMÁ PARAGUAY PERÚ PUERTO RICO ESTADOS UNIDOS URUGUAY VENEZUELA |
Radical Women: Latin American Art, 1960-1985 es organizada por el Hammer Museum, Los Ángeles como parte de Pacific Standard Time: LA/LA, una iniciativa del Getty en colaboración con instituciones artísticas a lo largo del Sur de California. La exposición es co-curada por las curadoras invitadas Cecilia Fajardo-Hill y Andrea Giunta junto a la previa ayudante curatorial Marcela Guerrero, en colaboración con Connie Butler, curadora en jefe, Hammer Museum.
Radical Women: Latin American Art, 1960-1985 ha sido posible gracias al patrocinio principal de la Getty Foundation. Han proporcionado importante financiación la Diane and Bruce Halle Foundation y Eugenio López Alonso.
Han otorgado un generoso apoyo la Vera R. Campbell Foundation, Marcy Carsey, Betty y Brack Duker, Susan Bay Nimoy, y Visionary Women.
Han aportado apoyo adicional el Radical Women Leadership Committee y Friends of Radical Women.
RADICAL WOMEN LEADERSHIP COMMITTEE
Susan Bay Nimoy, Chair
Betty Duker
Catherine Benkaim and Barbara Timmer
Estrellita and Daniel Brodsky
Richard Buckley and Tom Ford
Vera R. Campbell
Marcy Carsey
Beth Rudin DeWoody and Firooz Zahedi
Manuela Herzer
Nancy Lainer
Mihail Lari and Scott Murray "In Honor of Our Mothers, Jacklyn E. Murray and Yasmeen Lari”
Agnes and Edward Lee
Leslie and William McMorrow
Viveca Paulin-Ferrell and Will Ferrell
Brenda Potter
Mark Sandelson
Jennifer Simchowitz
Visionary Women
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FRIENDS OF RADICAL WOMEN Rosette Delug |
SUPPORTERS OF RADICAL WOMEN Lili Bosse |
![Sandra Eleta (Panamanian, b. 1942), Edita (la del plumero), Panamá (Edita [the one with the feather duster], Panama), 1977](/sites/default/files/styles/related_content_teaser/public/migrated-assets/media/exhibitions/2017/PST_Radical_Women/Eleta__Sandra.jpg?h=46193da9&itok=I4LXMVqO)
![María Evelia Marmolejo (Colombian, b. 1958), Anónimo 1 (Homenaje a los desaparecidos y torturados dentro de los hechos violentos) (Anonymous 1 [homage to those disappeared and tortured in violent incidents]), 1981.](/sites/default/files/styles/related_content_teaser/public/migrated-assets/media/exhibitions/2017/PST_Radical_Women/Marmolejo__Maria_Evelia_Anonimo_1.jpg?itok=Bhg0C-jD)
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