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Collage of five diverse artworks from the Hammer Museum Collections side by side. From left to right: 1) Contemporary painting of two embracing figures with surreal elements. 2) Post-impressionist style painting of trees with vibrant blues and greens. 3) Black and white illustration of a face with intricate patterns. 4) Japanese woodblock print style image of a figure in a checkered robe. 5) Photograph of a couple dancing, the woman in a black dress and the man in white

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Las Madres: The Mothers of the Plaza de Mayo
Screenings

Las Madres: The Mothers of the Plaza de Mayo and Después de Terremoto: Two Films by Lourdes Portillo

  • This is a past program

Lourdes Portillo and Susana Muñoz’s Oscar-nominated Las Madres documents the courage of a group of Argentine women who gathered weekly in Buenos Aires to remember those who "disappeared" between 1976 and 1983, during the Dirty War. Preceded by Portillo and Nina Serrano’s 1979 short film Después de Terremoto (After the Earthquake), about a young Nicaraguan immigrant facing the challenges of life in the United States. (1986, dir. Lourdes Portillo and Susana Muñoz, 64 min.; 1979, Lourdes Portillo and Nina Serrano, Spanish with English subtitles 27 min.)

A Q&A with Portillo follows the screenings. 

Las Madres: Las Madres de Plaza de Mayo y Después del terremoto: Dos películas de Lourdes Portillo

Miércoles 27 de septiembre a las 7:30 p.m.

Las Madres, de Lourdes Portillo y Susana Muñoz, nominada para el Oscar, documenta la valentía de un grupo de mujeres argentinas que se reunían semanalmente en Buenos Aires para recordar a los «desaparecidos» entre 1976 y 1983, durante la Guerra sucia. La película será precedida por el corto Después del Terremoto, de Portillo y Nina Serrano, realizado en 1979, acerca de un joven inmigrante nicaragüense y los desafíos que debe enfrentar durante su vida en los Estados Unidos. A continuación se presentará una sesión de preguntas y respuestas con Portillo. (1986, dir. Lourdes Portillo y Susana Muñoz, 64 min.; 1979, Lourdes Portillo y Nina Serrano, en español con subtítulos en inglés, 27 min.)

All Hammer public programs are free and made possible by a major gift from an anonymous donor.

Generous support is also provided by Susan Bay Nimoy and Leonard Nimoy, Good Works Foundation and Laura Donnelley, an anonymous donor, The Samuel Goldwyn Foundation, and all Hammer members.

The Hammer’s digital presentation of its public programs is made possible by the Billy and Audrey L. Wilder Foundation.

Radical Women: Latin American Art, 1960-1985 is organized by the Hammer Museum, Los Angeles, as part of Pacific Standard Time: LA/LA, an initiative of the Getty with arts institutions across Southern California. The exhibition is guest curated by Cecilia Fajardo-Hill, Andrea Giunta with Marcela Guerrero former curatorial fellow, in collaboration with Connie Butler, chief curator, Hammer Museum.

Radical Women: Latin American Art, 1960–1985 is made possible through lead grants from the Getty Foundation.

Major funding is provided by the Diane and Bruce Halle Foundation and Eugenio López Alonso. Generous support is provided by the Vera R. Campbell Foundation, Marcy Carsey, Betty and Brack Duker, Susan Bay Nimoy, and Visionary Women.

Additional support is provided by the Radical Women Leadership Committee and the Friends of Radical Women.

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Media sponsorship is provided by Cultured magazine, KCET, and KCRW 89.9 FM.

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