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Collage of five diverse artworks from the Hammer Museum Collections side by side. From left to right: 1) Contemporary painting of two embracing figures with surreal elements. 2) Post-impressionist style painting of trees with vibrant blues and greens. 3) Black and white illustration of a face with intricate patterns. 4) Japanese woodblock print style image of a figure in a checkered robe. 5) Photograph of a couple dancing, the woman in a black dress and the man in white

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The Hammer Museum and Lulu restaurant will be closed to the public on Tuesday, December 24 and Wednesday, December 25.

Sin Color
Music & Performance

Latinas Out Loud: Ayer Es Hoy

  • This is a past program

Ayer Es Hoy (Yesterday Is Today) celebrates the richness of Latin American sounds of the past and present. Sotomayor, the electronic music project of a Mexico City–based sibling duo, blends Andean rhythms, Afro beat, and cumbia with avant-garde beats. South Los Angeles band Sin Color blends indie pop with bossa nova, cumbia, and disco. Chulita Vinyl Club returns to spin throughout the night.

Cash bar and food trucks.

Media sponsorship is provided by NYLON Español.

Latinas en voz alta: Ayer Es Hoy

Jueves 2 de noviembre a las 7:30 p.m.

Ayer Es Hoy celebra la riqueza de los sonidos latinoamericanos pasados y presentes. Sotomayor, el proyecto de música electrónica de un dúo de hermanos de la ciudad de México, mezcla ritmos andinos con compases africanos y cumbia con ritmos de vanguardia. La banda Sin Color, del sur de Los Ángeles, combina indie pop con bossa nova, cumbia y música disco. Chulita Vinyl Club volverá con sus propuestas a lo largo de la noche.

Habrá bebidas a la venta y food trucks (loncheras) todas las noches.

NYLON Español proporciona el patrocinio mediático.

Attending this program?

ALL HAMMER PROGRAMS ARE FREE
Location: Courtyard
Ticketing: This drop-in program is not ticketed.
Parking: Event parking is available at 11020 Kinross Ave (UCLA Parking Lot 36) with a flat rate of $5 payable by credit card/cash at the Pay Station or pay by cell phone through the Park Mobile App. Enter Lot 36 from Kinross Avenue between Gayley and Veteran Avenues. The Hammer Museum is located one block east. 
Public Transportation: The 20/720 buses and Santa Monica and Culver City Bus Lines all stop within one block of the museum. You can also take the Metro Expo Line to Westwood/Rancho Park and transfer to the northbound 8 bus, which stops just outside the museum.
Bags: Items larger than 12” x 6” x 12” (including purses, bags, and backpacks) will not be permitted at the summer concerts. The museum also reserves the right to inspect or prohibit any items deemed to be a security risk.
Accessible Seating for Guests with Disabilities: The Hammer Museum strives to provide accessible seating to our patrons needing specific accommodations and to ensure that wheelchair-accessible locations are reserved for guests who require such an accommodation. Please inquire about wheelchair accessible seating locations upon arrival and a Hammer Ambassador will assist you.

All Hammer public programs are free and made possible by a major gift from an anonymous donor.

Generous support is also provided by Susan Bay Nimoy and Leonard Nimoy, Good Works Foundation and Laura Donnelley, an anonymous donor, The Samuel Goldwyn Foundation, and all Hammer members.

The Hammer’s digital presentation of its public programs is made possible by the Billy and Audrey L. Wilder Foundation.

Programs featuring Los Angeles-based speakers, artists, and performers are made possible by the City of Los Angeles, Department of Cultural Affairs.

Radical Women: Latin American Art, 1960-1985 is organized by the Hammer Museum, Los Angeles, as part of Pacific Standard Time: LA/LA, an initiative of the Getty with arts institutions across Southern California. The exhibition is guest curated by Cecilia Fajardo-Hill, Andrea Giunta with Marcela Guerrero former curatorial fellow, in collaboration with Connie Butler, chief curator, Hammer Museum.

Radical Women: Latin American Art, 1960–1985 is made possible through lead grants from the Getty Foundation.

Major funding is provided by the Diane and Bruce Halle Foundation and Eugenio López Alonso. Generous support is provided by the Vera R. Campbell Foundation, Marcy Carsey, Betty and Brack Duker, Susan Bay Nimoy, and Visionary Women.

Additional support is provided by the Radical Women Leadership Committee and the Friends of Radical Women.

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Media sponsorship is provided by Cultured magazine, KCET, and KCRW 89.9 FM.

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