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Collage of five diverse artworks from the Hammer Museum Collections side by side. From left to right: 1) Contemporary painting of two embracing figures with surreal elements. 2) Post-impressionist style painting of trees with vibrant blues and greens. 3) Black and white illustration of a face with intricate patterns. 4) Japanese woodblock print style image of a figure in a checkered robe. 5) Photograph of a couple dancing, the woman in a black dress and the man in white

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Lido Pimienta
Music & Performance

Latinas Out Loud: ¡Pa’rriba!

  • This is a past program

¡Pa’rriba! (Get Up!) is a night of futurism, resistance, and alternative music. Latinx art pop pioneer Lido Pimienta mixes beat-driven synth-pop with bold brass, strings, and analog drums, all influenced by her Afro-Colombian roots and her time living in London and Toronto. Special guest Francisca Valenzuela joins Lido on stage. L.A.-based Sister Mantos brings a psychedelic blend of Latin beats, funky rhythms, spacey synths, and queer brown attitude. Chulita Vinyl Club, a DJ collective for womxn of color, spin from their rare vinyl collections throughout.

Cash bar and food trucks.

Latinas Out Loud: Ayer Es Hoy—Thursday, November 2, 2017, 7:30 p.m.

Media sponsorship is provided by NYLON Español.

Latinas en voz alta: ¡Pa’rriba!

Viernes 22 de septiembre a las 7:30 p.m.

¡Pa’rriba! será una noche de futurismo, resistencia y música underground. La pionera del pop Latinx Lido Pimienta mezcla compases de pop sintético con metales audaces, cuerdas y tambores analógicos, todo ello influenciado por sus raíces afrocolombianas y sus vivencias en Londres y Toronto. Sister Mantos, basada en Los Ángeles, incorpora una mezcla psicodélica de compases y ritmos latinos, funk y sintéticos espaciales con una actitud queer brown. Chulita Vinyl Club, un colectivo de mujeres DJ latinas, aporta toda la noche las contribuciones de sus inusuales colecciones de discos de vinilo.

Habrá bebidas a la venta y food trucks (loncheras) todas las noches.

Latinas en voz alta: Ayer Es Hoy—Jueves 2 de noviembre a las 7:30 p.m.

NYLON Español proporciona el patrocinio mediático.

Attending this program?

ALL HAMMER PROGRAMS ARE FREE
Location: Courtyard
Ticketing: This drop-in program is not ticketed.
Parking: Event parking is available at 11020 Kinross Ave (UCLA Parking Lot 36) with a flat rate of $5 payable by credit card/cash at the Pay Station or pay by cell phone through the Park Mobile App. Enter Lot 36 from Kinross Avenue between Gayley and Veteran Avenues. The Hammer Museum is located one block east. 
Public Transportation: The 20/720 buses and Santa Monica and Culver City Bus Lines all stop within one block of the museum. You can also take the Metro Expo Line to Westwood/Rancho Park and transfer to the northbound 8 bus, which stops just outside the museum.
Bags: Items larger than 12” x 6” x 12” (including purses, bags, and backpacks) will not be permitted at the summer concerts. The museum also reserves the right to inspect or prohibit any items deemed to be a security risk.
Accessible Seating for Guests with Disabilities: The Hammer Museum strives to provide accessible seating to our patrons needing specific accommodations and to ensure that wheelchair-accessible locations are reserved for guests who require such an accommodation. Please inquire about wheelchair accessible seating locations upon arrival and a Hammer Ambassador will assist you.

All Hammer public programs are free and made possible by a major gift from an anonymous donor.

Generous support is also provided by Susan Bay Nimoy and Leonard Nimoy, Good Works Foundation and Laura Donnelley, an anonymous donor, The Samuel Goldwyn Foundation, and all Hammer members.

The Hammer’s digital presentation of its public programs is made possible by the Billy and Audrey L. Wilder Foundation.

Radical Women: Latin American Art, 1960-1985 is organized by the Hammer Museum, Los Angeles, as part of Pacific Standard Time: LA/LA, an initiative of the Getty with arts institutions across Southern California. The exhibition is guest curated by Cecilia Fajardo-Hill, Andrea Giunta with Marcela Guerrero former curatorial fellow, in collaboration with Connie Butler, chief curator, Hammer Museum.

Radical Women: Latin American Art, 1960–1985 is made possible through lead grants from the Getty Foundation.

Major funding is provided by the Diane and Bruce Halle Foundation and Eugenio López Alonso. Generous support is provided by the Vera R. Campbell Foundation, Marcy Carsey, Betty and Brack Duker, Susan Bay Nimoy, and Visionary Women.

Additional support is provided by the Radical Women Leadership Committee and the Friends of Radical Women.

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Media sponsorship is provided by Cultured magazine, KCET, and KCRW 89.9 FM.

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