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Collage of five diverse artworks from the Hammer Museum Collections side by side. From left to right: 1) Contemporary painting of two embracing figures with surreal elements. 2) Post-impressionist style painting of trees with vibrant blues and greens. 3) Black and white illustration of a face with intricate patterns. 4) Japanese woodblock print style image of a figure in a checkered robe. 5) Photograph of a couple dancing, the woman in a black dress and the man in white

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Screenings

Eternity and a Day

SAT OCT 15, 7:30 PM

Part of the series Landscapes of Time: The Films of Theo Angelopoulos. Free registration at cinema.ucla.edu.

Presented by the UCLA Film & Television Archive and the UCLA Stavros Niarchos Foundation Center for the Study of Hellenic Culture, with the collaboration of the UCLA Center for European and Russian Studies.

Bruno Ganz plays a famed Greek author with a growing list of uncompleted projects after becoming despondent following the death of his wife and his own recent terminal diagnosis. Lost in reveries of a brighter past, he’s snapped back to life when, on impulse, he helps an Albanian refugee boy escape a police roundup. As their unexpected friendship grows, Eternity and Day offers a profound meditation on the boundaries, real and imagined, between nations, between past and present, between life and death. Winner of the Palme d'Or at the 1998 Cannes Film Festival, this is the final film in Theo Angelopoulos’ “Trilogy of Borders.”

(1998, dir. Theo Angelopoulos, 35mm, color, 137 min.)

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