Screenings
Part of the series In Real Life: Film & Video

The Workshop Years: Black British Film and Video after 1981

TUESDAYS, WEDNESDAYS, FRIDAYS & SATURDAYS, JAN 3–25, 2017, NOON-4PM

Schedule

January 3–7: Sankofa Film and Video Collective

Noon: Isaac Julien, Who Killed Colin Roach?, 1983. Super-8 video transfer, color, sound. 37 min. Courtesy of the artist.

12:45 p.m.: Martina Attille, Dreaming Rivers, 1988. 16mm film transferred to video, color, sound. 33 min. Courtesy of the artist and Women Make Movies, New York.

1:30 p.m.: Isaac Julien, Territories, 1984. 16mm film transferred to video, color, sound. 26 min. Courtesy of the artist.

2 p.m.: Maureen Blackwood, Perfect Image?, 1988. 16mm film transferred to video, color, sound. 31 min. Courtesy of the artist and Women Make Movies, New York.

2:45 p.m.: Maureen Blackwood and Isaac Julien, The Passion of Remembrance, 1986. 16mm film transferred to video, color, sound 78 min. Courtesy of the artists.

January 10–14: Ceddo Film and Video Workshop

Noon: Menelik Shabazz, Time and Judgement – A Diary of a 400 Year Exile, 1988. 16mm film transferred to video, color, sound. 87 min. Courtesy of the artist.

1:30 p.m.: Milton Bryan, The People’s Account, 1986. Digital Betacam, color, sound. 52 min. Courtesy of the artist and Menelik Shabazz.

2:30 p.m.: Glenn Ujebe Masokoane, We Are the Elephant, 1987. 16mm film transferred to video, color, sound. 52 min. Courtesy of the artist and Menelik Shabazz.

3:30 p.m.: D. Elmina Davis, Omega Rising: Woman of Rastafari, 1988. 16mm film transferred to video, color, sound. 52 min. Courtesy of the artist and Menelik Shabazz.

January 17–25: Black Audio Film Collective

Noon: John Akomfrah, Handsworth Songs, 1986. 16mm film transferred to video, color, sound. 58:33 min. Courtesy of the artist and Lisson Gallery.

1 p.m.: Reece Auguiste, Mysteries of July, 1991. 16mm film transferred to video, color, sound. 54 min. Courtesy of the artist and Lisson Gallery.

2 p.m.: John Akomfrah, The Last Angel of History, 1995. Digital Betacam, color, sound. 45:07 min. Courtesy of the artist and Lisson Gallery.

3 p.m.: Trevor Mathison and Edward George, Three Songs on Pain, Light and Time, 1995. Digital Betacam, color, sound. 22:11 min. Courtesy of the artists and Lisson Gallery.

3:30 p.m.: John Akomfrah, Seven Songs for Malcolm X, 1993. 16mm film transferred to video, color, sound. 52:45 min. Courtesy of the artist and Lisson Gallery.

Attending this program?

ALL HAMMER PROGRAMS ARE FREE
Location: Billy Wilder Theater
Ticketing: This drop-in program is not ticketed.
Parking: Convenient parking is available under the museum. Rates are $6 for the first three hours with museum validation, and $3 for each additional 20 minutes, with a $20 daily maximum. There is a $6 flat rate after 6 p.m. on weekdays, and all day on weekends. Parking is cash only. 

 

Food and drink may not be carried into the Billy Wilder Theater. Read our food, bag check, and photo policies.

Organized by Aram Moshayedi, curator, with MacKenzie Stevens, curatorial assistant.

Image: John Akomfrah, Still from Handsworth Songs, 1986. 16mm color film transferred to video, sound. 58:33 min. © Smoking Dogs Films. Courtesy of the artist and Lisson Gallery.