Past

Japanese artist Tabaimo creates a site-specific work for the Hammer lobby wall for her first solo exhibition in Los Angeles.

Flooded McDonald’s poses questions about consumer culture and the fast food industry while reveling in the pleasure of destroying a global capitalist icon.

A series of collaborative works represents a world populated by Japanese idols, monsters, and ancient deities set amid icons from popular Japanese “bullet hell” arcade games.

Bringing together five decades of work, this exhibition explores the prodigious talent and influence of Merz’s understudied body of work.

The Berlin-based artist Judith Hopf uses humor and wit to address the politics of art making, group dynamics, and the impact of technology on perception and human experience.

This exhibition features recent acquisitions in the Hammer Museum's collections.

Aaron Taylor Kuffner: Gamelatron Sanctuary is an immersive sonic experience comprising a five-part kinetic sculpture that combines traditional Indonesian instruments with modern robotics.

Following her residency at the Hammer Museum, Jeanine Oleson presents a new body of work and performance related to the production of copper.

This installation addresses the function of art in today’s political context and the fundamental need for artists to remain politically active and engaged.

January 29–May 7, 2017 - The much-anticipated first North American retrospective of this compelling, inventive, and complex visual artist, performer, poet, essayist, and activist.