Past

Curated by Hilton Als, Joan Didion: What She Means is an exhibition as portrait, a narration of the life of one artist by another.

The first major survey of the visionary US painter in more than 20 years makes its Los Angeles debut.

Spanning the full career of the artist, Picasso Cut Papers is devoted to a little known yet foundational aspect of Pablo Picasso’s artistic practice.

The functioning hot tub is at the center of this installation by Los Angeles-based artist Tita Cicognani.

Drawn primarily from institutional collections in Los Angeles, Drawing Down the Moon leads visitors through a panoply of lunar objects dating from antiquity to the present.

The first museum retrospective surveying more than two decades of Andrea Bowers's production, tracing the entire scope and evolution of the artist's work.

The second presentation in the Hammer's works on paper gallery includes prints, drawings, and photography-based works by artists such as Robert Gober, Sonia Gomes, Jasper Johns, Nam June Paik, and Barbara T. Smith.

The first solo museum exhibition for artist Kiyan Williams, an installation of sculptural forms, is a meditation on the notion of the “ruined” body and its potential to transcend and generate new futures.

U.S. premiere of a performance-based video in which the artist performs the positions and conflicts of seven self-identified white women grappling with unconscious racism and their roles in white supremacy.

The first major retrospective of the groundbreaking Los Angeles video and performance artist.