Past

Presented in conjunction with the unveiling of the Hammer’s building expansion, this exhibition is the largest presentation of the Hammer Contemporary Collection in the museum’s history.

The inaugural exhibition in the Hammer’s redesigned lobby envelops the area with a unique and visceral installation.

The first and most extensive museum exhibition dedicated exclusively to Bridget Riley’s drawings in over half a century.

Pioneering Chinese photography and video from the 1990s and early 2000s featuring Cao Fei, Weng Fen, Xu Zhen, Yang Fudong, Zhu Jia, and more.

This installation of three figures rendered in Davis’s familiar lexicon of plaster and wire remarks on the long and continuing legacies of violence in American schools.

Curated by Hilton Als, Joan Didion: What She Means is an exhibition as portrait, a narration of the life of one artist by another.

Diné artist Eric-Paul Riege presents a new installation in woven sculpture, video, and performance.

The New York–based artist's first exhibition in Los Angeles centers on a single painting that responds to the architecture of the Hammer vault gallery.

The first major survey of the visionary US painter in more than 20 years makes its Los Angeles debut.

Spanning the full career of the artist, Picasso Cut Papers is devoted to a little known yet foundational aspect of Pablo Picasso’s artistic practice.