Past

Pulling from the genre of erotic thrillers and televised court cases from the period, Strafer presents two videos set against the backdrop of a fictionalized high-profile rape trial in 1990s-era Florida.

For her site-specific Hammer Project, Nkosi unveils a multimedia installation in the museum lobby, delving into the architecture of the gymnastics arena, which serves as a vessel for narratives of identity, performance, patriarchy, and power.

Refashioning presents two project spaces from transdisciplinary artists and fashion designers Concept Foreign Garments New York (CFGNY) and Wataru Tominaga, featuring garments, accessories, and textile works.

This monumental sculpture–a cast bronze figure standing at 25 feet tall– inaugurates the museum's outdoor sculpture pedestal at Wilshire Blvd and Glendon Ave.

This exhibition surveys over five hundred years of intaglio prints drawn from the extensive collections of the UCLA Grunwald Center for the Graphic Arts at the Hammer Museum.

Sourced from Cennetoğlu’s mobile phones, computers, cameras, and hard drives, this sprawling, 127-hour video represents the entirety of the artist’s visual archive amassed over 12 years.

New Haven–based artist Vamba Bility contemplates diasporic existence and its reveries through a lyrical ensemble of paintings, sculpture, textile, and sound.

The first exhibition in North America to explore the influential art practices that emerged in South Korea in the decades following the Korean War.

The Hammer’s new gallery opens with a monumental yet ethereal sculptural installation inspired by time travel, the principles of light and space, and quantum physics.