Made in L.A. 2025
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Made in L.A. 2025 is the seventh iteration of the Hammer’s signature biennial exhibition that showcases artists practicing throughout the greater Los Angeles area. The 28 participants in the exhibition present work not only made in the city but also grounded in its complex and unfolding terrain. Neither myth nor monolith, Los Angeles is many things to many people, and its dissonance is perhaps its most distinguishing feature. The works presented in this year’s biennial include film, painting, theater, choreography, photography, sculpture, sound, and video. Attitude draws them together: Each engages with this city in ways alternately literal, formal, material, and metaphoric. Conceived or made in Los Angeles, they are of this city and nowhere else.
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The Artists
Alake Shilling
Ali Eyal
Alonzo Davis
Amanda Ross-Ho
Beaux Mendes
Black House Radio / Michael Donte
Brian Rochefort
Bruce Yonemoto
Carl Cheng
David Alekhuogie
Freddy Villalobos
Gabriela Ruiz
Greg Breda
Hanna Hur
Hood Century / Jerald Cooper
John Knight
Kelly Wall
Kristy Luck
Leilah Weinraub
Mike Stoltz
Na Mira
New Theater Hollywood / Max Pitegoff and Calla Henkel
Nicole-Antonia Spagnola
Pat O’Neill
Patrick Martinez
Peter Tomka
Widline Cadet
Will Rawls
Made in L.A. 2025 is organized by Essence Harden, independent curator, and Paulina Pobocha, Chair and Curator of Modern and Contemporary Art, The Art Institute of Chicago and former Hammer Museum Robert Soros Senior Curator, with Jennifer Buonocore-Nedrelow, curatorial assistant.
The exhibition is made possible by the Mohn Family Foundation and members of the Hammer Circle. Major support is provided by The Billy and Audrey L. Wilder Foundation, Miky Lee, and Mark Sandelson. Generous support is provided by The Fran and Ray Stark Foundation; Bill Hair; Susan Genco and Mitch Kamin; J.P. Morgan; Dori Peterman Mostov and Charles Mostov; and Orange Barrel Media. Additional support is provided by The Buddy Taub Foundation, Dennis A. Roach and Stephanie Roach, Directors; McCrea Foundation; Sherry and Joel McKuin; the Pasadena Art Alliance; The Rhonda S. Zinner Foundation and Jonathan Segal; and Michael Silver.
Media sponsorship is provided by Contemporary Art Review Los Angeles and LAist.