Martha Rosler, Artist
The Bowery in two inadequate descriptive systems
, 1974–75
By addressing questions of how to represent dimensions of social class yet refusing the visual and verbal tropes of vagrancy and poverty, this work points to the tendency of documentary photography to generalize, criminalize, or victimize. By showing us a doorway that a homeless person may have adopted for shelter or an empty whiskey bottle paired with a series of vernacular terms related to alcoholism, Rosler highlights what she calls the "poverty of representation" offered by the "two inadequate descriptive systems" of the work's title.