Nayland Blake, Artist
Feeder 2
, 1998
This one-room cottage built of gingerbread tiles mounted on a steel frame evokes fairy tales in which such sweetness is used to seduce, but as we know from Hansel and Gretel, the dark house could easily be a trap. Feeder 2 feels, too, like the remnant of a stage set, suggesting past action and absent bodies, relationships that vacillate between seduction and control, release and entrapment.