Sill from the film "The Wild Angels" (1966)

The Wild Angels

TUE NOV 29, 7:30 PM

Copresented by the Hammer Museum and the UCLA Film & Television Archive

Roger Corman’s exploitation vehicle about an outlaw motorcycle club helped inaugurate the biker film as a genre, and these cheaply produced orgies of violence soon proliferated in drive-ins and grindhouses across the country. The idiom fascinated Joan Didion, who saw it as “a kind of underground folk literature for adolescents,” a form that “located an audience and fabricated a myth to exactly express that audience’s every inchoate resentment, every yearning for the extreme exhilaration of death.”

Print courtesy of the Jon Davison, Roger Corman, and Academy Film Archive Collection.

(1966, dir. Roger Corman, 35mm, color, 93 min.)

ATTENDING THIS PROGRAM?

Read the Hammer's full COVID-19 safety guidelines.
Ticketing: Admission is free. Seats are assigned on a first come, first served basis starting at 6:30 p.m.
Member Benefit: Members receive priority ticketing until 15 minutes before the program. Learn more about membership.
Parking: Parking is available under the museum. Rates are $7 for the first three hours with museum validation, and $3 for each additional 20 minutes, with a $20 daily maximum. There is a $7 flat rate after 6 p.m. on weekdays, and all day on weekends. Cash or credit card.

Read our food, bag check, and photo policies.

♿ Accessibility information

All public programs are free and made possible by a major gift from an anonymous donor. Generous support is also provided by Susan Bay Nimoy and Leonard Nimoy, Good Works Foundation and Laura Donnelley, the Elizabeth Bixby Janeway Foundation, The Samuel Goldwyn Foundation, an anonymous donor, and all Hammer members.
 
Digital presentation of Hammer public programs is made possible by The Billy and Audrey L. Wilder Foundation.
 
Hammer public programs are presented online in partnership with the #KeepThePromise campaign—a movement promoting social justice and human rights through the arts.