SFMOMA Curator Sandra Phillips: Perfect Likeness Tour
- This is a past program
More tours of the Perfect Likeness exhibition include:
August 13: LACMA Curator Britt Salvesen
August 20: Artist Heather Rasmussen
Sandra S. Phillips is senior curator of photography at SFMOMA where she has organized such exhibitions as History of Photography from California Collections (1989), and a 1989 retrospective of John Gutmann. Phillips has authored or coauthored numerous exhibition catalogues, including Daido Moriyama: Stray Dog (1999), Crossing the Frontier: Photographs of the Developing West, 1849 to the Present (1996), and Dorothea Lange: American Photographs (1994). Her articles and essays have appeared in numerous journals, books and catalogues. Phillips received a BA in art and art history from Bard College in 1967 and an MA from Bryn Mawr College in 1969. She earned a PhD in art history in 1985 from City University of New York.
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Thomas Demand, Daily #11, 2009Framed dye transfer print. 28 7/8 x 32 7/16 in. (73.4 x 82.4 cm). Courtesy of the artist and Matthew Marks, New York and Los Angeles. © 2014 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn. -
Thomas Demand, Daily #17, 2011Framed dye transfer print. 24 1/8 × 33 3/8 in. (61.3 × 84.8 cm) (framed). Courtesy of the artist and Matthew Marks, New York and Los Angeles. © 2014 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn. -
Thomas Demand, Diving Board (Sprungturm), 1994Chromogenic color print. 59 1/16 x 46 7/16 in. (150 x 118 cm). Courtesy of the artist and Matthew Marks, New York and Los Angeles. © 2014 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn. -
Annette Kelm, First Picture for a Show, 2007Chromogenic print. 6 1/4 × 7 3/4 in. (15.9 × 19.7 cm). Collection of Allison Wong. Image courtesy of the artist and Johann König, Berlin. -
Elad Lassry, Man (With Circles), 2010Chromogenic print, painted frame. 14 1/2 × 11 1/2 × 1 1/2 in. (36.8 × 29.2 × 3.8 cm) (framed). Collection of David Simkins. Courtesy of the artist and David Kordansky Gallery, Los Angeles. -
Elad Lassry, Melocco, 2009Chromagenic print. 11 x 14 in. (27.9 x 35.6 cm). Collection of Viet-Nu Nguyen, Los Anglees. Photo courtesy of David Kordansky Gallery, Los Angeles. -
McDermott & McGough, Those Moments, 1955, 2010Tricolor carbon print. 30 × 23 1/2 in. (76.2 × 59.7 cm). Courtesy of the artists and Cheim & Read, New York. -
Catherine Opie, Lawrence (Black Shirt), 2012Pigment print. 33 × 25 in. (83.8 × 63.5 cm). Collection of Rosette V. Delug, Los Angeles. -
Barbara Probst, Exposure #70: Munich studio, 05.10.09, 3:03 p.m., 2009Ultrachrome ink on cotton paper. Two parts, 24 x 24 in. (60 x 60 cm) each. Edition of 5. Courtesy of the artist and Murray Guy, New York. © 2014 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn. -
Thomas Ruff, Porträt (P. Stadtbäumer), 1988Chromogenic print. 70 7/8 × 63 in. (180 × 160 cm). Collection of Linda and Bob Gersh, Los Angeles. Image courtesy of David Zwirner, New York/London. -
Jeff Wall, Boxing, 2011Color photograph. 84 11/16 x 116 1/8 in. (215 x 295 cm). Collection of the artist, Vancouver. -
Christopher Williams, Untitled (Study in Yellow and Green/East Berlin), Studio Thomas Borho, Düsseldorf, July 7th, 2012, 2012Inkjet print on cotton rag paper. 14 3/8 × 18 in. (36.5 × 45.7 cm). Private Collection; courtesy of David Zwirner, New York/London. -
Roe Ethridge, Yellow Phone, 2013Chromogenic print. 34 3/4 × 45 7/8 in. (88.3 × 116.5 cm). Collection of Andrew Marks, New York.
All Hammer public programs are free and made possible by a major gift from the Dream Fund at UCLA.
Generous support is also provided by Susan Bay Nimoy and Leonard Nimoy, Good Works Foundation and Laura Donnelley, an anonymous donor, and all Hammer members.
The Hammer’s digital presentation of its public programs is made possible by the Billy and Audrey L. Wilder Foundation.
