LACMA Curator Britt Salvesen: Perfect Likeness Tour
- This is a past program
More tours of the Perfect Likeness exhibition include:
August 6: SFMOMA Curator Sandra Phillips
August 20: Artist Heather Rasmussen
Britt Salvesen joined the Los Angeles County Museum of Art (LACMA) in 2009 as curator and head of the Wallis Annenberg Photography Department and the Prints and Drawings Department. Previously, she was director and chief curator at the Center for Creative Photography, University of Arizona. Recent exhibitions have focused on German Expressionist cinema, Robert Mapplethorpe, and the Marjorie and Leonard Vernon Collection, acquired by LACMA in 2008.
-
Thomas Demand, Daily #11, 2009Framed dye transfer print. 28 7/8 x 32 7/16 in. (73.4 x 82.4 cm). Courtesy of the artist and Matthew Marks, New York and Los Angeles. © 2014 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn. -
Thomas Demand, Daily #17, 2011Framed dye transfer print. 24 1/8 × 33 3/8 in. (61.3 × 84.8 cm) (framed). Courtesy of the artist and Matthew Marks, New York and Los Angeles. © 2014 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn. -
Thomas Demand, Diving Board (Sprungturm), 1994Chromogenic color print. 59 1/16 x 46 7/16 in. (150 x 118 cm). Courtesy of the artist and Matthew Marks, New York and Los Angeles. © 2014 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn. -
Annette Kelm, First Picture for a Show, 2007Chromogenic print. 6 1/4 × 7 3/4 in. (15.9 × 19.7 cm). Collection of Allison Wong. Image courtesy of the artist and Johann König, Berlin. -
Elad Lassry, Man (With Circles), 2010Chromogenic print, painted frame. 14 1/2 × 11 1/2 × 1 1/2 in. (36.8 × 29.2 × 3.8 cm) (framed). Collection of David Simkins. Courtesy of the artist and David Kordansky Gallery, Los Angeles. -
Elad Lassry, Melocco, 2009Chromagenic print. 11 x 14 in. (27.9 x 35.6 cm). Collection of Viet-Nu Nguyen, Los Anglees. Photo courtesy of David Kordansky Gallery, Los Angeles. -
McDermott & McGough, Those Moments, 1955, 2010Tricolor carbon print. 30 × 23 1/2 in. (76.2 × 59.7 cm). Courtesy of the artists and Cheim & Read, New York. -
Catherine Opie, Lawrence (Black Shirt), 2012Pigment print. 33 × 25 in. (83.8 × 63.5 cm). Collection of Rosette V. Delug, Los Angeles. -
Barbara Probst, Exposure #70: Munich studio, 05.10.09, 3:03 p.m., 2009Ultrachrome ink on cotton paper. Two parts, 24 x 24 in. (60 x 60 cm) each. Edition of 5. Courtesy of the artist and Murray Guy, New York. © 2014 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn. -
Thomas Ruff, Porträt (P. Stadtbäumer), 1988Chromogenic print. 70 7/8 × 63 in. (180 × 160 cm). Collection of Linda and Bob Gersh, Los Angeles. Image courtesy of David Zwirner, New York/London. -
Jeff Wall, Boxing, 2011Color photograph. 84 11/16 x 116 1/8 in. (215 x 295 cm). Collection of the artist, Vancouver. -
Christopher Williams, Untitled (Study in Yellow and Green/East Berlin), Studio Thomas Borho, Düsseldorf, July 7th, 2012, 2012Inkjet print on cotton rag paper. 14 3/8 × 18 in. (36.5 × 45.7 cm). Private Collection; courtesy of David Zwirner, New York/London. -
Roe Ethridge, Yellow Phone, 2013Chromogenic print. 34 3/4 × 45 7/8 in. (88.3 × 116.5 cm). Collection of Andrew Marks, New York.
All Hammer public programs are free and made possible by a major gift from the Dream Fund at UCLA.
Generous support is also provided by Susan Bay Nimoy and Leonard Nimoy, Good Works Foundation and Laura Donnelley, an anonymous donor, and all Hammer members.
The Hammer’s digital presentation of its public programs is made possible by the Billy and Audrey L. Wilder Foundation.
