| Hammer Museum

Fig. 2. Olga Blinder, Inútil espera (Useless wait), 1968

A Country of Women?

Fig. 1. Mónica Mayer, performative presentation of Archiva: Obras maestras del arte feminista en México (Archiva: Masterpieces of feminist art in Mexico), 2013. National Feminist Convention, Guadalajara

Corporeal Apparitions / Beyond Appearances

Women and Bodily Discourse in Mexican Art, 1960–1985

Karen Cordero Reiman

Fig. 1. Débora Arango, Sin título (Boceto de estudio Desnudo Contemporáneo) (Untitled [Contemporary nude study]), 1954

In the First Person

Poetics of Subjectivity in the Work of Colombian Women Artists, 1960–1980

Carmen María Jaramillo

Fig. 2. Marcha de mujeres familiares de detenidos desaparecidos (March of female relatives of disappeared detainees)

Poetics of Resistance

Fig. 1. Antonia Matos Aycinena, Desnudo de mujer (Nude woman), 1932

One Hundred Times One

Fig. 1. La operación (The operation), 1982

"Yo misma fui mi ruta"

A Decolonial Feminist Analysis of Art from the Hispanic Caribbean

Marcela Guerrero

Fig. 1. Dilma Rousseff at the military audit headquarters, Rio de Janeiro, November 1970. Officers questioning her about her participation in the armed struggle conceal their faces with their hands

To Construct New Houses and Deconstruct Old Metaphors of Foundation

Maria Angélica Melendi

Fig. 1. Marta Minujín, La chambre d’amour (The love room), 1963

In Praise of Indiscipline

Fig. 1. Marta Minujín, Statue of Liberty lying down, 1979

Fallen Monuments

The Feminist Continuum

Fig. 3b. Alicia d’Amico, 8 de marzo de 1984 (March 8, 1984), 1984 (Susana Rinaldi [center], María Luisa Lerer and Mónica Tarducci [behind])

Feminist Art and "Artivism" in Latin America

A Dialogue in Three Voices

Julia Antivilo Peña, Mónica Mayer, and María Laura Rosa

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