I met with Karol, the Visitor Experience Lead Representative for public programs, to learn a little more about what makes programs at the Hammer so special.
Earlier this month, the Hammer launched its third digital archive, Corita Kent in the Grunwald Center Collection. Like the past digital archives—Now Dig This!: Art and Black Los Angeles 1960–1980 and Take It or Leave It: Institution, Image, Ideology—the Corita Kent site features images of artworks, scholarly essays, and a variety of resources for visitors to explore. Unlike its predecessors, however, it is not based on a Hammer exhibition, but rather a facet of the Grunwald Center Collection that has not been widely seen.
One myth about museum education is that learning only takes place within the geographical confines of a museum space. Families, children, and other museum audiences are expected to travel to museums—many times outside of their own communities—to experience them. A new Hammer Kids series called Art Without Walls disputes this myth through a partnership with the Los Angeles Public Library.
On Saturday, May 6, Hammer members celebrated the opening of Hammer Projects: Oliver Payne and Keiichi Tanaami with an artist conversation, cocktail reception, and t-shirt launch.
Everyone at the Hammer looks forward to K.A.M.P. (Kids' Art Museum Project) all year! Our annual fundraising event is imagined by artists for kids and their families. As we gear up for the big day this Sunday, May 21, we checked in with two of this year's artists, The Haas Brothers.