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This bibliography was prepared by the curators of Radical Women. It is a work in progress, and new resource will continue to be added. Click on the links below to jump to another section.

By Category:
General Feminism Gender Theory
Women Artist Exhibitions                                                                         
By Country:    
Argentina Brazil Chile
Colombia Costa Rica Cuba
Ecuador Guatemala Mexico
Paraguay Peru
Puerto Rico
United States Uruguay

Armstrong, Carol, and Catherine de Zegher. Women Artists at the Millennium. Cambridge, Mass: MIT Press, 2006.

Butler, Cornelia and Alexandra Schwartz, eds. Modern Women: Women artists at the Museum of Modern Art. Exhibition catalogue. New York: The Museum of Modern Art, 2010.

Cullen, Deborah, ed. Arte No Es Vida: Actions by Artists of the Americas 1960–2000. Exhibition catalogue. New York: El Museo del Barrio, 2008.

Goldman, Shifra M., and Luis Camnitzer, eds. Latin American art. New York: College Art Association, 1992.

Grosenik, Uta. Women artists: mujeres artistas de los siglos XX y XXI. Hong Kong: Taschen, 2005.

Nelson, Cary. Marxism and the Interpretation of Culture. Urbana, Ill.: Univ. of Illinois Press, 2011.

Davis, Angela Y. Women, Race, & Class. New York: Vintage Books, 1983.

Farver, Jane, Rachel Weiss, and Luis Camnitzer. Global Conceptualism: Points of Origin, 1950s–1980s. Exhibition catalogue. New York: Queens Museum of Art, 1999.

Foucault, Michel. The History of Sexuality. Vancouver: Crane Library at the University of British Columbia, 2009.

Fusco, Coco. Corpus Delecti: Performance Art of the Americas. London and New York: Routledge, 2000.

Fusco, Coco. The Bodies That Were Not Ours: And Other Writings. London and New York: Routledge, 2011.

Jones, Amelia. Body Art/Performing the Subject. Minneapolis: University of Minnesota Press, 2004.

Mosquera, Gerardo. Beyond the Fantastic: Contemporary Art Criticism from Latin America. London: Institute of International Visual Arts (inIVA), 1995.

Mead, Margaret. Sex and Temperament in Three Primitive Societies. New York: Morrow, 1970.

Traba, Malta. Museum of Modern Art of Latin America: Selections from the Permanent Collection. Exhibition catalogue. Washington, D.C.: General Secretariat, Organization of American States, 1985.

Piper, Adrian. "The Triple Negation of Colored Women Artists." In Out of Order, Out of Sight, 161­–­173. Cambridge: MIT Press, 1996.

Princenthal, Nancy, and Helaine Posner. The deconstructive Impulse: Women Artists Reconfigure the Signs of Power, 1973–1991. Exhibition catalogue. Purchase, N.Y.: Neuberger Museum of Art and New York: DelMonico Books – Prestel, 2011.

Solana, Guillermo. Heroínas. Exhibition catalogue. Madrid: Museo Thyssen Bornemisza, 2011.

Taylor, Diana. Holy Terrors: Latin American Women Perform. Durham: Duke University Press, 2003.

Tibol, Raquel. Ser y ver: mujeres en las artes visuales. México: Plaza & Janés, 2002.

Tompkins, Cynthia, and David William Foster, eds. Notable Twentieth-Century Latin American Women: A Biographical Dictionary. Westport, Conn: Greenwood Press, 2001.

Woolf, Virginia. A Room of One's Own. 1929. Oxford: Oxford University Press, 1992.

Zavala, Adriana. Becoming Modern, Becoming Tradition: Women, Gender, and Representation in Mexican Art. University Park: Pennsylvania State University Press, 2010.


André, María Claudia, and Patricia Rubio. Entre mujeres: colaboraciones, influencias e intertextualidades en la literatura y el arte latinoamericanos. Santiago, Chile: RIL editors, 2000.

Barbara Smith, ed. "The Combahee River Statement," in Home Girls: A Black Feminist Anthology. New York: Kitchen Table, 1983: 264–275; dated April 1977. 

Bauer, Ute Meta, Allan Sekula, and Sally Stein. First Story: Women Building/New Narratives for the 21st Century. Exhibition catalogue, Galeria Do Palácio/Biblioteca Municipal Almeida Garrett, Porto, Portugal. Köln: König, 2002.

Beauvoir, Simone de. The Second Sex. New York: Knopf, 1953.

Broude, Norma, and Mary D. Garrard. Reclaiming Female Agency: Feminist Art History After Postmodernism. Berkeley: University of California Press, 2005.

Butler, Cornelia H., ed. WACK!: Art and the Feminist Revolution. Exhibition Catalogue, Museum of Contemporary Art, Los Angeles. Cambridge, Mass.: MIT Press, 2007.

Cao, Marián L. F. Creación artística y mujeres: recuperar la memoria. Madrid: Narcea, 2000.

Case, Sue-Ellen. "Towards a Butch-Femme Aesthetic." Discourse, vol. 11, no. 1 (1988): 55–73.

Castillo, Alejandra, Jorge Díaz Fuentes, and Diamela Eltit. Por un feminismo sin mujeres: 2° circuito de disidencia sexual. Santiago, Chile: Territorios Sexuales Ediciones, 2011.

Centro de la Mujer Peruana Flora Tristán and Heinrich-Böll-Stiftung. 25 Años de feminismo en el Perú: Historia, confluencias y perspectivas. Lima, Perú: Flora Tristán, Centro de la Mujer Peruana, 2004.

Cevasco, Gaby, ed.  Historia confluencias y perspectivas: 25 años de feminism en el Perú. Jesús Maria: Editoria Línea Andina, 2004.

Chadwick, Whitney. Women, Art, and Society. New York: Thames & Hudson, 2016.

Cixous, Hélène. "The Laugh of the Medusa." In Continental Ethics Reader, edited by Matthew Calarco and Peter Atterton, 276–284. New York: Routledge, 2003.

Combahee River Collective, The. "A black feminist statement." 1979. In Social Perspectives in Lesbian and Gay Studies, edited by Peter M. Nardi and Beth E. Schneider, 521–526. New York and London: Routledge, 2013.

Cordero, Karen, and Inda Sáenz. Crítica feminista en la teoría e historia del arte. México, D.F.: Universidad Iberoamericana, 2007.

Cottingham, Laura. Seeing Through the Seventies: Essays on Feminism and Art. London: Routledge, 2013. 

Despentes, Virginie. King Kong Theory. New York: The Feminist Press at the City University of New York, 2015.

De Lauretis, Teresa. "Aesthetic and Feminist Theory: Rethinking Women's Cinema." New German Critique, 34 (1985): 154–175.

Elliot, Marguerite, and Maria Karras. The Woman's Building & Feminist Art Education, 1973–1991: A Pictorial Herstory. Los Angeles: Otis College of Art & Design, 2011.

Federici, Silvia. Revolution at Point Zero: Housework, Reproduction, and Feminist Struggle. Oakland, Cali.: PM Press, 2012.

Feminismo y arte de género. 2008. Madrid: Olivares y Asociados.

Friedan, Betty. The feminine mystique. 50th Anniversary Ed. New York: W. W. Norton & Co., 2013.

Galindo, Maria, and Sonia Sanchez. Ninguna mujer nace para puta. Buenos Aires: Lavaca editor, 2007.

Giraldo, Escobar Sol Astrid. Cuerpo de mujer: modelo para armar. Medellín: La Carreta Editores, 2010.

Hill Collins, Patricia. "The Politics of Black Feminist Thought" and "Defining Black Feminist Thought," in Black Feminist Thought: Knowledge, Consciousness and the Politics of Empowerment. Boston: Unwin Hyman, 1990.

Hoban P. "The feminist evolution." Artnews, vol. 108, no. 11 (2009).

hooks, bell, and Rocío Macho Ronco. Otras inapropiables: feminismos desde las fronteras.

James, Joy, and T. Denean Sharpley-Whiting. 2000. The Black feminist reader. Oxford, UK: Blackwell.

Madrid: Traficantes de Sueños, 2010.

Jones, Amelia. "The 'Sexual Politics' of The Dinner Party: A Critical Context." In Reclaiming Female Agency: Feminist Art History After Postmodernism, Ed. Norma Broude and Mary Garrard, 409­–434. Berkeley: University of California Press, 2005.

Jones, Amelia. "1970/2007: The Legacy of Feminist Art." In Gender Battle, ed. Juan Vicente Aliaga. Exhibition Catalogue. Santiago de Compostela, Spain: Contemporary Art Centre of Galicia, 2007.

Kristeva, Julia. "Women's Time." In New Maladies of the Soul, 201–224. New York: Columbia University Press, 1995. 

LaDuke, Betty. Compañeras: women, art, & social change in Latin America. San Francisco: City Lights Books, 1991.

La mujer como creadora y tema del arte. Exhibition Catalogue. Mexico: Instituto nacional de bellas artes, 1975

Lippard, Lucy. "Judy Chicago talking to Lucy Lippard," In From the Center: Feminist Essays on Women's Art, New York: EP Dutton, 1976.

Lippard, Lucy. "Moving Targets/ Concentric Circles: Notes from the Radical Whirlwind." In Pink Glass Swan: Selected Feminist Essays on Art, New York: New Press, 1995.

Lippard, Lucy. "Sweeping Exchanges: The Contribution of Feminism to the Art of the 1970s."  Art Journal 40: 1–2 (Winter 1980): 362–365.

Lomas, David. "Body Languages: Frida Kahlo and Medical Imagery." In The Body Imaged: The Human Form and Visual Culture Since the Renaissance, edited by Kathleen Adler and Marcia Pointon, 5–19. Cambridge: Cambridge University Press, 1993.

Mayer Lucido, Mónica P. "Feminist Art: An Effective Political Tool."  MA diss., Goddard College, 1980.

Mayer, Mónica. "De la vida y el arte como feminista." n.paradoxa 8 (1998).

Meyer, Richard. "Hard Targets: Male Bodies, Feminist Art, and the Force of Censorship in the 1970s." In WACK, Art and the Feminist Revolution, edited by Cornelia Butler. Exhibition Catalogue, Museum of Contemporary Art, Los Angeles. Cambridge, Mass.: MIT Press, 2007.

Mill, John Stuart. The Subjection of Women. Charlottesville, Va.: University of Virginia Library, 1993.

Millett, Kate. Sexual Politics. New York: Columbia University Press, 2016.

Mulvey, Laura. Visual Pleasure and Narrative Cinema. 1975. London: Afterall Books, 2016. 

Munder, Heike, ed. It's Time for Action (There's No Option): About Feminism. Exhibition Catalogue, Migros Museum für Gegenwartskunst. Zurich: JRP Ringier Kunstverlag, 2007.

Nochlin, Linda. Women, Art, and Power and Other Essays. New York: Westview Press, 1988.

Nochlin, Linda. "Why have there been no great women artists?" 1971. In Women Artists: The Linda Nochlin Reader, edited by Maura Reilly, 42–68. New York: Thames & Hudson, 2015.

Nochlin, Linda, Andrea Fraser, Amelia Jones, Dan Cameron, Collier Schorr, Jan Avgikos, Catherine de Zegher, Adrian Piper, and Peay Phelan. "Feminism & Art: Nine Views." Artforum International, vol. 42, no. 2 (October 2003): 140.

Nochlin, Linda, and Maura Reilly, eds. Global Feminisms: New Directions in Contemporary Art. Exhibition Catalogue, Brooklyn Museum. New York: Merrell, 2007.

Olea Mauleón, Cecilia. Encuentros, (des) encuentros y búsquedas: el movimiento feminista en América Latina. Lima: Ediciones Flora Tristán, 1998.

Pejić, Bojana, ed. Gender Check: Femininity and Masculinity in the Art of Eastern Europe. Exhibition Catalogue. Vienna: Museum Moderner Kunst Stiftung Ludwig Wien, 2009.

Pollock, Griselda. Generations and Geographies in the Visual Arts: Feminist Readings. London: Routledge, 1996.

Pollock, Griselda. "Women, Art, and Ideology: Questions for Feminist Art Historians." Women's Art Journal, vol. 4, no. 1 (1983): 39–47.

Pollock, Griselda. "Beholding Art History: Vision, Place, and Power." In Vision and Textuality, edited by Stephen Melville and Bill Readings, 38–66. Durham, N.C.: Duke University Press, 1995

Pollock, Griselda. "Differencing: Feminism's Encounter with the Canon." In Differencing the Canon: Feminist Desire and the Writing of Art's Histories, 23–28. London: Routledge, 1999.

Pollock, Griselda. Generations and Geographies in the Visual Arts: Feminist Readings. New York & London: Routledge, 1996.

Pollock, Griselda. "Vision, Voice, and Power: Feminist Art Histories and Marxism." In Vision and  Difference: Feminism and the Histories of Art, 18–49. London and New York: Routledge, 1988. Published originally as an essay in Block 6 (1982).

Reckitt, Helena, and Peggy Phelan. Art and Feminism. London: Phaidon, 2006.

Reilly, Maura and Linda Nochlin. Global Feminisms: New Directions in Contemporary Art. London: Merrell, 2007, Brooklyn Museum, 2007.

Reiman, Karen Cordero and Inda Sáenz, eds., Crítica Feminista en La Teoría e Historia Del Arte. Mexico: Universidad Nacional Autónoma de Mexico, 2007.

Richard, Nelly. Masculine/Feminine: Practices of Difference(s). Durham, N.C.: Duke University Press, 2004.

Riviere, Joan. "Womanliness as a Masquerade," 1929. In The Routledge Critical and Cultural Theory Reader, edited by Neil Badmington and Julia Thomas, 25–33. New York: Routledge, 2008.

Rubin, Gayle. "The Traffic in Women: Notes on the 'Political Economy' of sex." In Feminism and History, edited by Joan Wallach Scott. Oxford: Oxford University Press, 1996.

Sachs, Sid and Kalliopi Minioudaki, eds. Seductive Subversion: Women Pop Artists, 1958–1968. Exhibition Catalogue, Rosenwald-Wolf Gallery, University of the Arts, Philadelphia. New York: Abbeville Press Publishers, 2010.

Sarachild, Katie. "Consciousness Raising: A Radical Weapon." In Feminist Revolution, 144–150. New Paltz: NY: Redstockings, 1975.

Schor, Gabriele. Donna: Avanguardia Femminista Negli Anni '70 dalla Sammlung Verbund di Vienna. Exhibition Catalogue, Galleria Nazionale d'Arte Moderna, Rome. Milan: Electa, 2010.

Stokes Sims, Lowery. "Aspects of Performance in the Work of Black American Women Artists." In Feminist Art Criticism: An Anthology, edited by Arlene Raven, Cassandra Langer and Joanna Frueh, 207–225. New York: Harper Collins, 1988.

"The Shock of the Nude." ARTnews: December 2010.

Truth, Sojourner. "Ain't I a Woman?," 1851. Internet Modern History Sourcebook, Fordham University,

Valente, Virginia Vargas V.  El movimiento feminista en el horizonte democrático peruano. Lima: Centro de la Mujer Peruana Flora Tristán, 2006.

Vargas, Virginia. The Women's Movement in Peru: Rebellion into Action. The Hague: Institute of Social Studies, 1990.

Vargas, Virginia. The Feminist Movement in Latin America: Between Hope and Disenchantment. The Hague: Institute of Social Studies, 1991.

Vargas, Virginia. Feminismos en América Latina: su aporte a la política y a la democracia. Lima: Universidad Mayor de San Marcos, Fondo Editorial de la Facultad de Ciencias Sociales, Programa de Estudios sobre Democracia y Transformación Global, 2008.

Wagner, Anne M. "Lee Krasner as L.K." In The Expanding Discourse: Feminism and Art History, edited by Norma Broude and Mary Garrard, 425–435. New York: Harper Collins, 1992.

Wolff, Janet. "Postmodern Theory and Feminist Art Practice." In Postmodernism and Society, edited by Roy Boyne and Ali Rattansi, 187–208. London: The MacMillan Press, 1990.

Wollstonecraft, Mary. A Vindication of the Rights of Men and A Vindication of the Rights of Woman. 1792 and 1790. Oxford: Oxford University Press, 2008.

Zamora Betancourt, Lorena. El desnudo femenino: una visión de lo propio. México, D.F.: Instituto Nacional de Bellas Artes y Literatura, 2012.


Gender Theory

Abelove, Henry, Michèle Aina Barale, and David M. Halperin. The Lesbian and Gay Studies Reader. New York: Routledge, 1993.

Bersani, Leo. Is the Rectum a Grave? And Other Essays. Chicago, Ill.: The University of Chicago Press, 2010.

Bruzzone, Gustavo, ed. Ramón: revista de artes visuales 99 (April 2010): 1–66.

Butler, Judith. Gender Trouble: Feminism and the Subversion of Identity. New York & London: Routledge Classics, (1990) 2010.

Butler, Judith. Undoing Gender. New York & London: Routledge, 2004.

Crimp, Douglas. "Getting the Warhol We Deserve: Cultural Studies and Queer Culture." Invisible Culture, 1998.

Crimp, Douglas. Melancholia and Moralism: Essays on AIDS and Queer Politics. Cambridge, Mass.: MIT Press, 2004.

De Lauretis, Teresa. The Practice of Love: Lesbian Sexuality and Perverse Desire. Bloomington: Indiana University Press, 1995.

Halberstam, Judith. Female Masculinity. Durham, NC: Duke University Press, 1998.

Halperin, David M. Saint Foucault: Towards a Gay Hagiography. New York: Oxford University Press, 1997.

Haraway, Donna Jeanne. "A cyborg manifesto." In Cultural Studies Reader, edited by Simon During, 271–291. New York: Routledge, 1999.

Hermaphrodites Speak. DVD. Produced by Cheryl Chase, Ann Arbor, Mich.: Intersex Society of North America, 2006. 

Hocquenghem, Guy, Homosexual Desire. Durham, N.C.: Duke University Press, 2006.

Laqueur, Thomas. Making Sex: Body and Gender from the Greeks to Freud. Cambridge, Mass.: Harvard University Press, 2003.

Meyer, Richard. "Robert Mapplethorpe and the Discipline of Photography." In The Lesbian and Gay Studies Reader, edited by Henry Abelove, Michèle Aina Barale, and David M. Halperin, pp.360–380. New York, Routledge, 1993.

Pejić, Bojana, ed. Gender Check: Femininity and Masculinity in the Art of Eastern Europe. Exhibition Catalogue. Vienna: Museum Moderner Kunst Stiftung Ludwig Wien, 2009.

Preciado, Beatriz.  Manifiesto contrasexual. Barcelona: Editorial Anagrama, 2011.

Reckitt, Helena and Peggy Phelan. Art and Feminism. London: Phaidon, 2005.

Rich, Adrienne. Compulsory Heterosexuality and Lesbian Existence. Denver, Co.: Antelope Publications, 1982.

Richard, Nelly. Masculine/Feminine: Practices of Difference(s). Durham: Duke University Press, 2004.

Romero Bachiller, Carmen, Silvia García Dauder, and Carlos Bargueiras Martínez, eds. El Eje del mal es heterosexual: Figuraciones, movimientos y prácticas feministas queer. Madrid: Traficantes de sueños, 2005.

Rosa, Maria Laura. "Transitando por Los Pliegues y Las Sombras" in La Batalia de Los Géneros. Exhibition catalogue. Santiago de Compostela, Spain: Centro Galego de Arte Contemporánea, 2007.

Sedgwick, Eve Kosofsky. Epistemology of the Closet. Berkeley: University of California Press, 1990.

Stirratt, Betsy and Catherine Johnson, eds. Feminine Persuasion: Art and Essays on Sexuality. Bloomington, IN: Indiana University Press, 2003.

Stone, Sandy. "The Empire Strikes Back: A Posttranssexual Manifesto." Artist's website. 1987.

Stryker, Susan, and Stephen Whittle. The Transgender Studies Reader. New York: Routledge, 2006.Bottom of Form

Widdifield, Stacie G. "Assimilation and the Body of the Nation: Mestizaje and Gender." In The Embodiment of the National in Late Nineteenth-Century Mexican Painting, 145–162. Tucson: The University of Arizona Press, 1996.

Wittig, Monique. The Straight Mind and Other Essays. Boston: Beacon Press, 2002.


Women Artist Exhibitions

Biller, Geraldine P., ed. Latin American Women Artists/Artistas Latinoamericanas: 1915–1995. Milwaukee, Wis.: Milwaukee Art Museum, 1995.

Butler, Cornelia H., ed. WACK!: Art and the Feminist Revolution. Museum of Contemporary Art, Los Angeles. Cambridge, Mass.: MIT Press, 2007.

De Zegher, Catherine, ed. Inside the Visible: An Elliptical Traverse of 20th Century Art In, Of, and From the Feminine. Institute of Contemporary Art Boston. Cambridge, MA: The MIT Press, 1996.

Heartney, Eleanor, Helaine Posner, Nancy Princenthal, and Sue Scott. After the Revolution: Women Who Transformed Contemporary Art. Munich: Prestel, 2013.

Lippard, Lucy R. Judy Chicago. National Museum of Women in the Arts, Washington, D.C. New York: Watson-Guptill Publications, 2002.

Morineau, Camille, and Giulia Lamoni. 2010. Artistes femmes de 1905 á nos jours. Paris: Centre Pompidou, 2010.

Morineau, Camille. [email protected]: Women Artists in the Collection of the Musée National D'art Moderne, Centre De Création Industrielle. Paris: Centre Pompidou, 2009.

Munder, Heike, ed. It's Time for Action (There's No Option): About Feminism. Exhibition Catalogue, Migros Museum für Gegenwartskunst. Zurich: JRP Ringier Kunstverlag, 2007.

Nochlin, Linda, and Maura Reilly, eds. Global Feminisms: New Directions in Contemporary Art. Brooklyn: Brooklyn Museum, 2007.

Sachs, Sid and Kalliopi Minioudaki, eds. Seductive Subversion: Women Pop Artists, 1958–1968. Exhibition Catalogue, Rosenwald-Wolf Gallery, University of the Arts, Philadelphia. New York: Abbeville Press Publishers, 2010.

Serrano de Haro, Amparo. Mujeres en el arte. Barcelona: Plaza & Janés, 2000.

Schor, Gabriele. Donna: Avanguardia Femminista Negli Anni '70 dalla Sammlung Verbund di Vienna. Exhibition Catalogue, Galleria Nazionale d'Arte Moderna, Rome. Milan: Electa, 2010.

Stirratt, Betsy, and Catherine Johnson, eds. Feminine Persuasion: Art and Essays on Sexuality. Bloomington: Indiana University Press, 2003.




Elliot, David, ed., Art from Argentina 1920–1994. Oxford: The Museum of Modern Art Oxford, 1994.

Giunta, Andrea. Avant-Garde, Internationalism, and Politics: Argentine Art in the Sixties. Translated by Peter Kahn. Durham and London: Duke University Press, 2007.

Giunta, Andrea. Poscrisis: Arte Argentino después de 2001. Buenos Aires: Siglo Veintiuno Editores, 2009.

Solaro, Beatriz, Pacheco Marcelo E., Giunta Andrea. Lapiz: Revista international de ArteArgentina. Vol. 158/159, Diciembre 1999.



Amaral, Aracy A., and Paulo Herkenhoff. Ultramodern: the Art of Contemporary Brazil. Exhibition catalogue. Washington, D.C.: National Museum of Women in the Arts, 1993.

Andrés, Maria H, Almerinda S. Lopes, Fernando P. Silva, and Marília A. Ribeiro. Maria Helena Andrés. Belo Horizonte: Editora C/Arte, 2004.

Bardi, Lina Bo, and Marcelo Carvalho Ferraz. Lina Bo Bardi. Milano: Charta. 1994.

Calirman, Claudia. Brazilian Art Under Dictatorship: Antonio Manuel, Artur Barrio, and Cildo Meireles. Durham: Duke University Press, 2013.

Farias, Agnaldo, and Moacir. Anjos. Geração Da Virada: 10+1: Os anos recentes da Arte Brasileira. Exhibition catalogue. São Paulo: Instituto Tomie Ohtake, 2006.

Farias, Agnaldo. 80/90, Moderns, Postmoderns, Etc. Exhibition catalogue. São Paulo: Instituto Tomie Ohtake, 2009.

Ferreira, Glória. Arte como questão: Anos 70. Exhibition catalogue. São Paulo: Instituto Tomie Ohtake, 2009.

Freire, Cristina. Poéticas do processo: Arte conceitual no museu. São Paulo, SP: MAC, Universidade de São Paulo, 1999.

Herkenhoff, Paulo. Pincelada: Pintura e método, projeções da década de 50. Exhibition catalogue. São Paulo: Instituto Tomie Ohtake, 2010. 

Herkenhoff, Paulo, and Heloísa Barque de Hollanda. Manobras radicais. Exhibition catalogue. São Paulo: Associação de Amigos do CCBB, 2006.

Lobo, Lotus, Fernando P. Silva, and Marília A. Ribeiro. Lotus Lobo: Depoimento. Belo Horizonte: Editora C/Arte, 2001.

Machado, Arlindo. Video Art: The Brazilian Adventure. Cambridge: The MIT Press, 1996.

Moulin, Fabiola, and Rute Assis. Neovanguardas: Museu de arte da Pampulha 50 anos. Exhibition catalogue. Belo Horizonte: Museu de Arte da Pampulha, 2008.

Ribeiro, Marília A. Neovanguardas: Belo Horizonte, anos 60. Belo Horizonte: Editora C/Arte, 1997.

XIII Bienal De S. Paulo 1975: Armando Sendin–Sala Brasilia. Exhibition catalogue. Sao Paulo: Bienal de São Paulo, 1975.

Xandó, Niobe N, Antonio C. Abdalla, Marcelo M. Araujo, Anna M. Kieffer, Vanderlei Lucentini, and Anna M. Kieffer. Niobe Xandó: A arte de subverter a ordem das coisas. Exhibition catalogue. Sao Paulo: Pinacoteca, 2007.



Delpiano, María J, Fernanda Carvajal, and Carla Macchiavello. Ensayos sobre artes visuales: prácticas y discursos de los años '70 Y '80 en Chile. Santiago de Chile, Chile: LOM Ediciones, 2011.

Presencia Chilena en la Bienal internacional de Arte de Buenos Aires: Globalización o regionalismo. Buenos Aires: Embajada de Chile en Argentina, 2002.

Richard, Nelly. "Women's Art Practices and the Critique of Signs," in Recovering Histories: Aspects of Contemporary Art in Chile since 1982. Exhibition catalogue. New York: Center for Latino Arts and Culture, 1993.

Vidal, Sebastián. En el principio: Arte, archivos y tecnologías durante la dictadura en Chile. Santiago: Ediciones/Metales Pesados, 2012.



"VIII Salon Atenas: Los artistas de los años 90." Magazin al día. Ed 83, 30 November 1982.

Durán, Mario Jursich and Juan José de Narváez, eds., Ante America: cambio de foco. Translated by Andrew Ried and Cola Franzen. Santa Fe: Banco de la República, 1992.

Caballero, German Rubiano. Pintura Colombiana actual. Bogotá: Salón De Artes Plásticas, 1976.

Castles, John. Cecilia Porras: Cartagena y yo: 1950–1970. Bogotá: Alcaldía Mayor de Bogotá, 2009.

Gamboa Medina, Alejandro. El taller 4 rojo: Entre la práctica artística y la lucha social. Bogotá: Biblioteca Luis Ángel Arango, 2011.

Giraldo Escobar, Sol Astrid. Cuerpo de mujer: Modelo para armar. Medellín: La Carreta, 2010.

González, Miguel. "Cali." Revista de Arte y Arquitectura. Vol. 2, no. 8, 1982.

Herrera Buitrago, María Mercedes. Emergencia del arte conceptual en Colombia (1968–1982). Bogota: Pontificia Universidad Javeriana, 2011.

Huertas, Miguel. El largo instante de la percepción: Los años setenta y el crepúsculo del arte en Colombia. Bogotá: Universidad Nacional de Colombia, Facultad de Artes, 2005.

Jaramillo, Carmen M. Fisuras del arte moderno en Colombia. Bogotá: Imprenta Distrital, 2012.

Medina, Álvaro. Arte y violencia en Colombia desde 1948. Exhibition catalogue. Bogotá: Museo de Arte Moderno de Bogotá, 1999.

Otras Miradas/Other Glances: Débora Arango, Beatriz González, Patricia Bravo [and 7 Others]. Exhibition catalogue. Bogotá: República de Colombia, Ministerio de Relaciones Exteriores, 2005. 

Sims, Patterson. Fanny Sanín: Drawings and Studies 1960 to Now. Exhibition catalogue. New York, N.Y: Frederico Sève Gallery, 2012.

Stellweg, Carla. A Collective of Contemporary Colombian Art. New York: Rempire Fine Art, Inc., 1989.

Villarreal, Arturo Infante. 3 décadas de arte uniandino. Exhibition catalogue. Bogotá: Banco de la República, 1989.

Costa Rica

This section is in progress. 



Veigas, José, Cristina Vives, Adolfo V. Nodal, Valia Garzon, and Dannys Montes de Oca. Memoria: Cuban Art of the 20th Century. Los Angeles, CA: California/International Arts Foundation, 2002.

Camnitzer, Luis. New Art of Cuba. Austin: University of Texas Press, Austin, 1994, 89–99.


Oña, Lenin, Fabian Patinho, Mireya Salgado, Lund Hansen, Rolf Blomberg, and Kira Tolkmitt. El Ecuador de Blomberg y Araceli. Quito: Museo de la Ciudad, 2002.



Pérez-Ratton, Virginia, ed. Tres mujeres, tres memorias: Margarita Azurdia, Emilia Prieto, Rosa Mena Valenzuela. San Jose, Costa Rica: Teorética, 2009

"Arte y mujer." Galería Guatemala. Año 15, No. 44, 2013.



Betancourt, Lorena Zamora, El desnudo femenino: Una visión de lo propio. México: Consejo Nacional para la Cultura y las Artes, INBA, Cenidiap, 2000.

Cervantes, Miguel and Germaine Gómez Haro, curators. Historia de mujeres: Artistas en México del siglo XX. Exhibition catalogue. México City: Artes Gráficas Panorama, 2008.

Debroise, Olivier, ed. La era de la discrepancia: Arte y cultura visual en México, 1968–1997. Exhibition catalogue. México: Universidad Nacional Autónoma de México, Museo Universitario de Ciencias y Arte, 2006.

García Krinsky, Emily Cecilia. Mujeres detrás de la lente: 100 años de creación fotográfica en México 1910–2010. México: Consejo Nacional para la Cultura y las Artes, Dirección General de Publicaciones, 2012. 

Garduño, Blanca, and José A. Rodríguez. 52 Mujeres en el arte Mexicano: Una visión social y de género. Exhibition catalogue. México, D.F: Secretaría de Desarrollo Social, 2005. 

Goldman, Shifra M. Women in Mexican Art. Exhibition catalogue. Los Angeles, CA: Iturralde Gallery, 1991. 

Henaro, Sol.  No grupo: Un zangoloteo al corsé artístico.  Exhibition catalogue. México: Museo de Arte Moderno, 2011.

La mujer en Mexico/Women in Mexico. Exhibition catalogue. Mexico: Fundación Cultural Televisa, Centro Cultural Arte Contemporaneo, 1990.

Mayer, Mónica. Rosa chillante: Mujeres y performance en México. México: AVJ Ediciones, 2004.

Mayer, Monica P. Artistas mujeres, mujeres artistas: Pintura, dibujo y gráfica. Exhibition catalogue, Museo de Bellas Artes, México. Toluca: Gobierno des estado de México, secretaría de educación, cultura y bienestar social, 1984.

Mercado, Dolores, Marilyn L. Corral, Samantha Castro, and Angelina Villanueva. Women Artists of Modern Mexico: Frida's Contemporaries/Mujeres Artistas En El México De La Modernidad: Las Contemporáneas De Frida. Chicago: National Museum of Mexican Art, 2008.

Mujeres artistas, "A los 40 años del segundo sexo". Universidad Nacional Autónoma de México Coordinación de Difusión Cultural.  UNAM, 1990.

González, Rita, and Jesse Lerner, "Video." In Mexperiemental Cinema. Exhibition catalogue. New York: Guggenheim Museum.

Patino, Sanz A. E. New Directions: Mexican Women Artists. Exhibition Catalogue, Panamerican Union. Washington, D.C.: Organization of American States, 1984.

Rippey, Carla, Murillo J. García, and Olivier Debroise. El uso de la memoria. Exhibition catalogue. Monterrey, N.L., México: Museo de Monterrey, 1994.

Rodríguez, José A. Fotografas en México: 1872–1960. Madrid: Turner, 2012. 

Serrano, Barquin H. P. Imagen y representación de las mujeres en la plástica Mexicana: Una aproximación a su presencia en las Artes Visuales y populares de 1880 a 1980. Toluca: Universidad Autónoma del Estado de México, 2005.

Tibol, Raquel. Dibujo de mujeres contemporáneas Mexicanas. Exhibition catalogue. México: Museo de Arte Moderno, 1991.

Villegas, Morales G. La imagen femenina en artistas Mexicanas contemporáneas: Una perspectiva no androcéntrica. Xalapa, Ver., México: Universidad Veracruzana, 2006.

Zamora, Betancourt L. El imaginario femenino en el arte: Mónica Mayer, Rowena Morales y Carla Rippey. México, D.F: Instituto Nacional de Bellas Artes y Literatura, 2007.

Zavala, Adriana. Becoming Modern, Becoming Tradition: Women, Gender, and Representation in Mexican Art. University Park, PA: The Pennsylvania State University Press, 2010.


This section is in progress.


This section is in progress.



López, Miguel. La persistencia de lo efímero: Orígenes del no-objetualismo peruano: Ambientaciones, happenings, arte conceptual (1965–1975). Exhibition catalogue. Lima: Centro Cultural de España, 2007.

Puerto Rico

This section is still in progress.

United States

This section is still in progress.


This section is still in progress.



Calzadilla, Juan. Marietta Berman. Exhibition catalogue. Caracas: Museo de Arte Contemporáneo de Caracas, 1990.

Fajardo Hill, Cecilia, and Aixa Sánchez. Sala Mendoza 1956–2001: 45 Años de historia del arte contemporáneo en Venezuela. Caracas: Sala Mendoza, 2002.

Oramas, Luis Pérez, and Ariel Jiménez, curators. La invención de la continuidad. Exhibition catalogue. Caracas: Editorial Arte, 1997.

Palenzuela, Juan C. 11 Tipos: Arte en Venezuela en los años setenta. Exhibition catalogue. Caracas: Academia Nacional de la Historia, 2002.