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Collage of five diverse artworks from the Hammer Museum Collections side by side. From left to right: 1) Contemporary painting of two embracing figures with surreal elements. 2) Post-impressionist style painting of trees with vibrant blues and greens. 3) Black and white illustration of a face with intricate patterns. 4) Japanese woodblock print style image of a figure in a checkered robe. 5) Photograph of a couple dancing, the woman in a black dress and the man in white

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Digital Archive Radical Women: Latin American Art, 1960–1985
232 Images
Madre por un día (Mother for a day), Polvo de Gallina Negra, 1987

Polvo de Gallina Negra, Madre por un día (Mother for a day), 1987

Márcia X., Sex Manisse, 1987

Los espejismos de Mandrágora Luna (Mandrágora Luna's phantoms), by Poli Marichal, 1986

Poli Marichal, Los espejismos de Mandrágora Luna (Mandrágora Luna's phantoms), 1986

Arena (Sand), by Silvia Gruner, 1986

Silvia Gruner, Arena (Sand), 1986

Sin título (Untitled), by Eugenia Vargas Pereira, 1986

Eugenia Vargas Pereira, Sin título (Untitled), 1986

Dos preguntas (Two questions), by Janet Toro, 1986

Janet Toro, Dos preguntas (Two questions), 1986

Magnolia, Juchitán, México, by Graciela Iturbide, 1986

Graciela Iturbide, Magnolia, Juchitán, México, 1986

Nude Descending, by Silvia Gruner, 1986

Silvia Gruner, Nude Descending, 1986

The Original Sin / Reproduction, by Silvia Gruner, 1986

Silvia Gruner, The Original Sin / Reproduction, 1986

Para um corpo nas suas impossibilidades (For a body in its impossibilities), by Martha Araújo, 1985

Martha Araújo, Para um corpo nas suas impossibilidades (For a body in its impossibilities), 1985

Hábito/Habitante (Habit/inhabitant), by Martha Araújo, 1985

Martha Araújo, Hábito/Habitante (Habit/inhabitant), 1985

Pereza (Sloth), by Antonieta Sosa, 1985

Antonieta Sosa, Pereza (Sloth), 1985