Impressionistic painting of a village at the foot of a large mountain

Cézanne and the Pull of the South

In the second of a three-part lecture series, art historian and curator John Walsh discusses Cézanne's mid-life embrace of his native landscape, his distinctive inventions in still life, and his unconventional portraits.

Bio

John Walsh, an independent art historian, was Director of the J. Paul Getty Museum from 1983 until 2000. After graduating from Yale and getting his PhD from Columbia, he worked as a curator at the Metropolitan Museum and the Museum of Fine Arts in Boston and taught art history at Columbia and Harvard. Since he left the Getty he has been teaching part-time at Yale and giving public lectures there. He has previously given lecture series at the Hammer on Vincent Van Gogh and Rembrandt van Rijn.

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All public programs are free and made possible by a major gift from an anonymous donor.
 
Generous support is also provided by Susan Bay Nimoy and Leonard Nimoy, the Elizabeth Bixby Janeway Foundation, The Samuel Goldwyn Foundation, the City of Los Angeles Department of Cultural Affairs, an anonymous donor, and all Hammer members.
 
Digital presentation of Hammer public programs is made possible by The Billy and Audrey L. Wilder Foundation.
 
Hammer public programs are presented online in partnership with the #KeepThePromise campaign—a movement promoting social justice and human rights through the arts.