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Collage of five diverse artworks from the Hammer Museum Collections side by side. From left to right: 1) Contemporary painting of two embracing figures with surreal elements. 2) Post-impressionist style painting of trees with vibrant blues and greens. 3) Black and white illustration of a face with intricate patterns. 4) Japanese woodblock print style image of a figure in a checkered robe. 5) Photograph of a couple dancing, the woman in a black dress and the man in white

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The Hammer Museum and Lulu restaurant will be closed to the public on Tuesday, December 24 and Wednesday, December 25.

Musician Jamael Dean sits at a piano
Music & Performance
Part of the series JazzPOP 2024

Jamael Dean and the Afronauts

  • This is a past program

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JazzPOP celebrates its 17th season this summer, inviting luminaries of West Coast jazz and creative improvised music to the Hammer courtyard for three concerts in August. The 2024 edition features quintets led by three innovative California bandleaders who explore a vast terrain in their dynamic, adventurous music.

Organized by San Francisco Bay Area bassist Lisa Mezzacappa.

Devin Daniels, alto saxophone

Aaron Shaw, tenor saxophone

Jamael Dean, keyboard

Jonathan Richards, bass

Lyndon Rochelle, drums

Los Angeles keyboardist Jamael Dean convenes a quintet of longtime collaborators to navigate his shapeshifting original compositions and fresh takes on jazz standards. Part of a renaissance of next-generation Southern California jazz artists, Dean has collaborated with Kamasi Washington, Thundercat, Miguel Atwood-Ferguson and Carlos Niño, and has performed as a member of the legendary Pan Afrikan Peoples Arkestra. Pitchfork writes that Dean takes “a wide-eyed view of jazz… to imbibe hip-hop, electronic, R&B, and ambient.”

Jamael Dean - Kronos (Live at Gold Line)
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Ticketing: This free program is not ticketed.
Parking: Valet parking is available on Lindbrook Drive for $15 cash only. Self-parking is available under the museum. Rates are $8 for the first three hours with museum validation, and $3 for each additional 20 minutes, with a $22 daily maximum. There is an $8 flat rate after 5 p.m. on weekdays, and all day on weekends.
Press: If you are a member of the press and are interested in attending and covering the program, please email the Hammer’s Senior PR Manager, Santiago Pazos, at spazos@hammer.ucla.edu for accommodations.

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All public programs are free and made possible by a major gift from an anonymous donor.
 
Generous support is also provided by Susan Bay Nimoy and Leonard Nimoy, the Elizabeth Bixby Janeway Foundation, Good Works Foundation and Laura Donnelley, the City of Los Angeles Department of Cultural Affairs, an anonymous donor, and all Hammer members.
 
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