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Collage of five diverse artworks from the Hammer Museum Collections side by side. From left to right: 1) Contemporary painting of two embracing figures with surreal elements. 2) Post-impressionist style painting of trees with vibrant blues and greens. 3) Black and white illustration of a face with intricate patterns. 4) Japanese woodblock print style image of a figure in a checkered robe. 5) Photograph of a couple dancing, the woman in a black dress and the man in white

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The Hammer Museum and Lulu restaurant will be closed to the public on Tuesday, December 24 and Wednesday, December 25.

Beth Schenck holding a saxophine
Music & Performance
Part of the series JazzPOP 2024

Beth Schenck Quintet

  • This is a past program

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JazzPOP celebrates its 17th season this summer, inviting luminaries of West Coast jazz and creative improvised music to the Hammer courtyard for three concerts in August. The 2024 edition features quintets led by three innovative California bandleaders who explore a vast terrain in their dynamic, adventurous music.

Organized by San Francisco Bay Area bassist Lisa Mezzacappa.

Beth Schenck, alto saxophone

Cory Wright, tenor saxophone and bass clarinet

Matt Wrobel, guitar

Lisa Mezzacappa, bass

Jordan Glenn, drums

A wildly creative and original musical voice, San Francisco saxophonist and composer Beth Schenck writes bracing music that blends lush harmonies with fierce propulsiveness and surprising rhythmic twists and turns. Her quintet features some of the Bay Area’s most adventurous improvisers, supporting her compositions which have been praised as “frank and beautiful” (MetalJazz.com) and “reliably enthralling” (San Francisco Chronicle).

Playground by Beth Schenck with Jenny Scheinman, Matt Wrobel and John Wood
Social Stutter Quartet 18th Annual Outsound New Music Summit 7-23-19
ATTENDING THIS PROGRAM?

Ticketing: This free program is not ticketed.
Parking: Valet parking is available on Lindbrook Drive for $15 cash only. Self-parking is available under the museum. Rates are $8 for the first three hours with museum validation, and $3 for each additional 20 minutes, with a $22 daily maximum. There is an $8 flat rate after 5 p.m. on weekdays, and all day on weekends.
Press: If you are a member of the press and are interested in attending and covering the program, please email the Hammer’s Senior PR Manager, Santiago Pazos, at spazos@hammer.ucla.edu for accommodations.

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All public programs are free and made possible by a major gift from an anonymous donor.
 
Generous support is also provided by Susan Bay Nimoy and Leonard Nimoy, the Elizabeth Bixby Janeway Foundation, Good Works Foundation and Laura Donnelley, the City of Los Angeles Department of Cultural Affairs, an anonymous donor, and all Hammer members.
 
Digital presentation of Hammer public programs is made possible by The Billy and Audrey L. Wilder Foundation.
 
Hammer public programs are presented online in partnership with the #KeepThePromise campaign—a movement promoting social justice and human rights through the arts.

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