Upcoming

The first institutional survey of the late Noah Davis charts the breadth and depth of the American artist’s relentless output reflecting the diverse interests informing Davis’s practice: politics, current affairs, everyday life, family histories, ancient Egyptian cosmologies, the racism of American media, art history, and architecture.

Featuring prints and drawings created at the intersection of music and dance by some twenty artists active from the 1960s to the present, this exhibition explores how works of art on paper can store sound and movement, becoming lasting visual records of ephemeral sonic and dance experiences.

Renata Petersen’s installation, an architectural intervention offering a contemporary reinterpretation of Giotto di Bondone’s Scrovegni Chapel in Padua, Italy, explores the histories of new age religious sects that are specific to the region of Southern California.

In Lek’s immersive installation, sound, video, and scenography intersect to evoke a virtual world in which AI systems dominate the lives of humans and machines.

This exhibition, featuring some sixty prints from the Grunwald Center for the Graphic Arts’ rich collection, allows visitors to discover Japan’s remarkable print industry through some of its greatest publishers and artists, and to understand the evolution of print technology between the 1730s and the 1930s.

Made in L.A. 2025 is the seventh iteration of the Hammer’s biennial exhibition highlighting the practices of artists working throughout the greater Los Angeles area.