Three figures sit wearing white masks, while a man embraces the figure on the left
Screenings UCLA Film & TV Archive

A Page of Madness

  • to

This program is presented by the UCLA Film & Television Archive. Part of the UCLA Film & Television Archive screening series The Art of the Benshi 2026. Learn more at cinema.ucla.edu.

In person: benshi Ichirō Kataoka, composer and pianist Makia Matsumura.

The Lump (1929)

An old man lost in the woods stumbles onto a band of boisterous tengu, bird-like goblins of Japanese folklore, who demand to be entertained in this wonderfully detailed Japanese animated fairytale.

Director: Yasuji Murata.

The Thief of Baguda Castle (1926)

Japanese animation pioneer Noburō Ofuji’s first film, The Thief of Baguda Castle premiered on the same bill with Teinosuke Kinugasa’s A Page of Madness in 1926. While Kinugasa was advancing live-action cinema, Ofuji introduced his own new stop-motion technique using cut outs of colorfully patterned paper called chiyogami. The film’s main character, Dangobei, a roustabout who nevertheless wins the favor and hand of a princess with help from some obliging spirits, became a recurring character in Noburo’s later work.

Director: Noburō Ofuji.

A Page of Madness (1926)

North American premiere of new restoration!

Japanese novelist (and later Nobel Prize winner) Yasunari Kawabata devised the scenario (with contributions from other members of the radical literary movement known as Shinkankakuha) for director Teinosuke Kinugasa’s visionary masterpiece. Believing his wanton cruelty drove his wife insane, a guilt-wracked husband devotes himself to her care as a janitor at the asylum where she’s incarcerated. When it appears her illness may prevent their daughter from getting married, he gradually loses his own grip on reality. Kinugasa’s fantastical images, disorienting super impositions and rapid montage confirmed the expressive power of Japanese silent film. The Archive is honored to premiere this new restoration from the National Film Archive of Japan on the film’s centennial.

DCP. Director: Teinosuke Kinugasa. Screenwriters: Yasunari Kawabata, Teinosuke Kinugasa, Minoru Inuzaka, Bankō Sawada. With: Masao Inoue, Yoshie Nakagawa, Ayako Iijima.

The UCLA Film & Television Archive is a division of UCLA Library, and presents its public programs in the Billy Wilder Theater at the Hammer, among other venues. For more information about the Archive, visit cinema.ucla.edu.
 

ATTENDING THIS PROGRAM?

Ticketing: Admission to Archive screenings at the Hammer is free. Your seat will be assigned to you when you pick up your ticket at the box office. Seats are assigned on a first come, first served basis, limit one per visitor. Box office opens one hour before the event. Questions should be directed to the Archive at programming@cinema.ucla.edu or 310-206-8013.
Member Benefit: Subject to availability, Hammer Members can choose their preferred seats and pick up tickets for one additional guest. Members receive priority ticketing until 15 minutes before the program. Learn more about membership.
Parking: Self-parking is available under the museum. Rates are $9 for the first three hours with museum validation, and $3 for each additional 20 minutes, with a $30 daily maximum. There is a $9 flat rate after 5 p.m. on weekdays, and all day on weekends.

Read our food, bag check, and photo policies.
Read our COVID-19 safety guidelines.

♿ Accessibility information