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Collage of five diverse artworks from the Hammer Museum Collections side by side. From left to right: 1) Contemporary painting of two embracing figures with surreal elements. 2) Post-impressionist style painting of trees with vibrant blues and greens. 3) Black and white illustration of a face with intricate patterns. 4) Japanese woodblock print style image of a figure in a checkered robe. 5) Photograph of a couple dancing, the woman in a black dress and the man in white

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Still from Daughters
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Part of the series Summer Night Cinema: True Stories

Daughters

  • This is a past program

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Summer Night Cinema is made possible by Carla Emil and Rich Silverstein.

Four young girls prepare for a special Daddy Daughter Dance with their incarcerated fathers, as part of a unique fatherhood program in a Washington, D.C., jail.

A moving lesson in empathy and forgiveness, Daughters is a result of an eight-year documentary journey that filmmaker Natalie Rae and Angela Patton, an activist advocating for “at-promise” girls, embarked upon. As Aubrey, Santana, Raziah, and Ja’Ana get ready for the special event, they speak candidly about their hopes, dreams, and disappointments. There is an innate wisdom and honesty to what they share about their dads’ inconsistent presence; an awareness far beyond their years. Daughters meaningfully challenges many stereotypes around incarceration and serves as a poignant reminder that maintaining family bonds can be both healing and empowering. We get to witness a lot of joy, but in keeping with the film’s vérité style, Rae and Patton don’t shy away from more challenging moments, including heartbreak, skepticism, reluctance to engage, and anger. But then comes a classic dad joke, and the mood shifts again.

U.S., 2024, DCP, color, 102 min, Dir: Angela Patton and Natalie Rae

Daughters Trailer
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All public programs are free and made possible by a major gift from an anonymous donor.
 
Generous support is also provided by Susan Bay Nimoy and Leonard Nimoy, the Elizabeth Bixby Janeway Foundation, Good Works Foundation and Laura Donnelley, the City of Los Angeles Department of Cultural Affairs, an anonymous donor, and all Hammer members.
 
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