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Collections
Collage of five diverse artworks from the Hammer Museum Collections side by side. From left to right: 1) Contemporary painting of two embracing figures with surreal elements. 2) Post-impressionist style painting of trees with vibrant blues and greens. 3) Black and white illustration of a face with intricate patterns. 4) Japanese woodblock print style image of a figure in a checkered robe. 5) Photograph of a couple dancing, the woman in a black dress and the man in white

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A masked dancer with tall headdress viewed in profile
Music & Performance

CANCELED: The Wanaragua Dance of the Garifuna

  • This is a past program

Due to uncertainty around COVID-19, the Hammer is temporarily closed to the public and this program has been canceled. For COVID-19 updates impacting the UCLA community, please visit UCLA’s Newsroom.

Vivid regalia, singing, dancing, drumming, vibrating shells, and masks—the Wanaragua ritual re-enacts and extends the anti-colonial resistance of the Garifuna, the Afro-Indigenous people who migrated from Saint Vincent in the Caribbean to the coast of Honduras, then Belize, Nicaragua, and Guatemala, and now also have an active community in Los Angeles.

All public programs are free and made possible by a major gift from an anonymous donor.
 
Generous support is also provided by Susan Bay Nimoy and Leonard Nimoy, Good Works Foundation and Laura Donnelley, the Elizabeth Bixby Janeway Foundation, The Samuel Goldwyn Foundation, the City of Los Angeles Department of Cultural Affairs, an anonymous donor, and all Hammer members.
 
Digital presentation of Hammer public programs is made possible by The Billy and Audrey L. Wilder Foundation.
 
Hammer public programs are presented online in partnership with the #KeepThePromise campaign—a movement promoting social justice and human rights through the arts.

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