A foundational film of contemporary queer cinema, The Watermelon Woman—about a young black lesbian trying to make a film about an obscure 1930s black actress—remains astonishingly cutting- edge 20 years after its release. The film’s director, Cheryl Dunye, joins curator Erin Christovale after the screening to examine the boundaries, limitations, and possibilities of black aesthetics through film. (1996, dir. Cheryl Dunye, 90min.)
The 20th Anniversary Restoration and Digital Re-Mastering of The Watermelon Woman was made possible by support and funding from 13th Gen, Outfest Legacy Project, UCLA Film and Television Archive, Toronto International Film Festival and First Run Features.
All Hammer public programs are free and made possible by a major gift from an anonymous donor.
Generous support is also provided by Susan Bay Nimoy and Leonard Nimoy, Good Works Foundation and Laura Donnelley, an anonymous donor, The Samuel Goldwyn Foundation, and all Hammer members.
The Hammer’s digital presentation of its public programs is made possible by the Billy and Audrey L. Wilder Foundation.