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Collage of five diverse artworks from the Hammer Museum Collections side by side. From left to right: 1) Contemporary painting of two embracing figures with surreal elements. 2) Post-impressionist style painting of trees with vibrant blues and greens. 3) Black and white illustration of a face with intricate patterns. 4) Japanese woodblock print style image of a figure in a checkered robe. 5) Photograph of a couple dancing, the woman in a black dress and the man in white

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Rodney McMillian, Untitled (The Supreme Court Painting)
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Rodney McMillian: UCLA Department of Art Lecture

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Rodney McMillian’s multimedia artistic practice emphasizes his “talent for setting up uncanny relationships among undistinguished objects” (Art in America). His installations and live performances reflect an overarching concern with the relationships between language, aesthetics, and content. Recent solo exhibitions include those hosted by the Studio Museum in Harlem, New York, and the Institute of Contemporary Art, Philadelphia. He is an associate professor in the UCLA Department of Art.

All Hammer public programs are free and made possible by a major gift from an anonymous donor.

Generous support is also provided by Susan Bay Nimoy and Leonard Nimoy, Good Works Foundation and Laura Donnelley, an anonymous donor, The Samuel Goldwyn Foundation, and all Hammer members.

The Hammer’s digital presentation of its public programs is made possible by the Billy and Audrey L. Wilder Foundation.

The UCLA Department of Art’s visiting lecture series is made possible through the generous support of the William D. Feldman Family Endowed Art Lecture Fund.

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