Cage, Tudor, and the Visual Language of Indeterminacy
The avant-garde composer and Black Mountain College teacher John Cage invented new performance methods and compositional processes. Nancy Perloff, curator of modern and contemporary collections at the Getty Research Institute, discusses Cage’s use of chance operations to develop works that would transform music in the 20th century. Pianist Aron Kallay performs elements from scores Cage collaborated on with David Tudor.
Support for programming related to Leap Before You Look: Black Mountain College 1933-1957 is provided by Catherine Glynn Benkaim and Barbara Timmer.
All Hammer public programs are free and made possible by a major gift from the Dream Fund at UCLA.
Generous support is also provided by Susan Bay Nimoy and Leonard Nimoy, Good Works Foundation and Laura Donnelley, an anonymous donor, and all Hammer members.
The Hammer’s digital presentation of its public programs is made possible by the Billy and Audrey L. Wilder Foundation.