Elective Affinities, a film series devised by Larry Johnson and William E. Jones, features works that might have shown at the Cinema Theater on Western Avenue before getting busted by the cops. Artistic ambition, opportunism, and (of course) sexual desire intermingle, with “art films” and “nudies” colliding rather than harmonizing.
My Own Private Crucifixion
Nico reads Thomas à Kempis while Ondine and Brigid Polk shoot speed and bemoan their preppy, run-amok children. High tech salvation awaits us all, to the sound of an analog synthesizer.
This evening features a screening of Andy Warhol’s rarely seen “sexploitation” feature Imitation of Christ, preceded by William E. Jones’s short video, Film Montages (for Peter Roehr).
ATTENDING THIS PROGRAM?
ALL HAMMER PROGRAMS ARE FREE
Location: Billy Wilder Theater
Ticketing: Tickets are required and available at the Box Office one hour before the program. General admission tickets are available one per person on a first come, first served basis following member ticketing. Early arrival is recommended.
Member Benefit: Members receive priority ticketing (until 15 minutes before the program) by skipping the general admission line and can choose their seats, subject to availability.
Parking: Under the museum, $6 flat rate after 6 p.m. Cash only.
Food and drink may not be carried into the Billy Wilder Theater. Read our food, bag check, and photo policies.
Public programs are made possible, in part, by a major gift from Ann and Jerry Moss.
Additional support is provided by Bronya and Andrew Galef, Good Works Foundation and Laura Donnelley, an anonymous donor, and the Hammer Programs Committee.