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A tunnel.

Ruhr

  • This is a past program

Copresented by the UCLA Film & Television Archive and the Hammer Museum

Screening and Q&A with filmmaker James Benning.

James Benning, one of the most fascinating figures in American independent cinema, makes his eagerly awaited entrance into the digital realm with absolutely stunning effect. Ruhr—which is also the first film Benning has shot entirely outside the United States—is a meditation on the notion of terra incognita. Faced with the unfamiliar landscape of Germany’s Ruhr Valley, the cradle of heavy industry in that country, and a new medium, he turns the film into a process of slow discovery. As Benning uses HD to continue his exploration of duration in seven masterfully composed shots, minute events and nuances of changing light suggest a complex balance between permanence and mutation in the Ruhr’s industrial landscapes, marked, not least, with the ubiquitous presence of immigrant labor.

—Bérénice Reynaud, REDCAT

(2009, dir. James Benning, digital, color, 121 min.)

All public programs are free and made possible by a major gift from an anonymous donor.
 
Generous support is also provided by Susan Bay Nimoy and Leonard Nimoy, Good Works Foundation and Laura Donnelley, the Elizabeth Bixby Janeway Foundation, The Samuel Goldwyn Foundation, the City of Los Angeles Department of Cultural Affairs, an anonymous donor, and all Hammer members.
 
Digital presentation of Hammer public programs is made possible by The Billy and Audrey L. Wilder Foundation.
 
Hammer public programs are presented online in partnership with the #KeepThePromise campaign—a movement promoting social justice and human rights through the arts.