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Collections
Collage of five diverse artworks from the Hammer Museum Collections side by side. From left to right: 1) Contemporary painting of two embracing figures with surreal elements. 2) Post-impressionist style painting of trees with vibrant blues and greens. 3) Black and white illustration of a face with intricate patterns. 4) Japanese woodblock print style image of a figure in a checkered robe. 5) Photograph of a couple dancing, the woman in a black dress and the man in white

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A man and a woman stand in front of a wall
Screenings
Part of the series Melancholy & Moonlight: The Poetic Vision of Barry Jenkins

Medicine for Melancholy

  • This is a past program

A one-night stand between social activist Micah and affluent professional Joanne becomes complicated when the two spend the following day together, exploring their identities as twenty-something African Americans with different political and philosophical worldviews. Barry Jenkins’s first feature is gorgeous meditation on race, class, and identity, set against the backdrop of a dreamy, monochromatic San Francisco. (2008, dir. Barry Jenkins, 88 min.)

All public programs are free and made possible by a major gift from an anonymous donor.
 
Generous support is also provided by Susan Bay Nimoy and Leonard Nimoy, Good Works Foundation and Laura Donnelley, the Elizabeth Bixby Janeway Foundation, The Samuel Goldwyn Foundation, the City of Los Angeles Department of Cultural Affairs, an anonymous donor, and all Hammer members.
 
Digital presentation of Hammer public programs is made possible by The Billy and Audrey L. Wilder Foundation.
 
Hammer public programs are presented online in partnership with the #KeepThePromise campaign—a movement promoting social justice and human rights through the arts.

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