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Collage of five diverse artworks from the Hammer Museum Collections side by side. From left to right: 1) Contemporary painting of two embracing figures with surreal elements. 2) Post-impressionist style painting of trees with vibrant blues and greens. 3) Black and white illustration of a face with intricate patterns. 4) Japanese woodblock print style image of a figure in a checkered robe. 5) Photograph of a couple dancing, the woman in a black dress and the man in white

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Vincent van Gogh, The Langlois Bridge, 1888, Brown ink over traces of black chalk, Los Angeles County Museum of Art.
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Part of the series Van Gogh in LA

Vincent in Arles

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Exhausted by Paris, van Gogh headed south toward the sun-drenched landscape of Provence. His originality as a painter of portraits and flower still lifes became more pronounced. His work flourished, despite several severe breakdowns and hospitalizations.

In this series of lectures at the Hammer, art historian, curator, and museum director John Walsh examines paintings by Vincent van Gogh on display in museums throughout Los Angeles. Considering them in artistic and historical context, Walsh illuminates how the works exemplify the artist’s struggles and achievements.

 

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