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Collage of five diverse artworks from the Hammer Museum Collections side by side. From left to right: 1) Contemporary painting of two embracing figures with surreal elements. 2) Post-impressionist style painting of trees with vibrant blues and greens. 3) Black and white illustration of a face with intricate patterns. 4) Japanese woodblock print style image of a figure in a checkered robe. 5) Photograph of a couple dancing, the woman in a black dress and the man in white

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Adrian Piper, Self-Portrait Exaggerating My Negroid Features, 1981. Pencil on paper. 10 × 8 in. (25.4 × 20.3 cm). The Eileen Harris Norton Collection. © Adrian Piper Research Archive Foundation Berlin.
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Deconstructing the Truism of Race as a Social Construct

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Philosophers Naomi Zack of the University of Oregon, Rebecca Tuvel of Rhodes College, and Diarmuid Costello of the University of Warwick discuss the ways in which Adrian Piper’s art interrogates racial identity, focusing on specific works as well as Piper’s own writings about race, "Passing for White, Passing for Black" and Escape to Berlin: A Travel Memoir.

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