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Collage of five diverse artworks from the Hammer Museum Collections side by side. From left to right: 1) Contemporary painting of two embracing figures with surreal elements. 2) Post-impressionist style painting of trees with vibrant blues and greens. 3) Black and white illustration of a face with intricate patterns. 4) Japanese woodblock print style image of a figure in a checkered robe. 5) Photograph of a couple dancing, the woman in a black dress and the man in white

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Nineteen Eighty Four
Screenings

Nineteen Eighty-Four

  • This is a past program

Copresented by the UCLA Film & Television Archive

The Hammer Museum and the UCLA Film & Television Archive join theaters across the country for a screening of Nineteen Eighty-Four, Michael Radford’s 1984 adaptation of the novel 1984 by George Orwell. April 4 is the date that Orwell’s protagonist, Winston Smith, begins rebelling against a totalitarian regime by keeping a forbidden diary. The story of a man who takes a stand against an oppressive government–one that attempts to control the bodies and minds of its citizens, manufactures its own facts, and encourages blind conformity–resonates now more than ever.

Shot in bleak tones by Roger Deakins, and featuring John Hurt and Richard Burton in his last film role, Nineteen Eighty-Four is a chilling reminder of what is at stake for a society that systemically undermines basic, inalienable human rights and values. (1984, dir. Michael Radford, 35 mm, 113 min.)

All Hammer public programs are free and made possible by a major gift from an anonymous donor.

Generous support is also provided by Susan Bay Nimoy and Leonard Nimoy, Good Works Foundation and Laura Donnelley, an anonymous donor, The Samuel Goldwyn Foundation, and all Hammer members.

The Hammer’s digital presentation of its public programs is made possible by the Billy and Audrey L. Wilder Foundation.