Oneohtrix Point Never: Visual Cues and Eccojams
Electronic musician, composer, and producer Daniel Lopatin (Oneohtrix Point Never) presents a slate of films that share the formal concerns apparent in his musical work and the visual output that surrounds it. The screening features films by pioneers including Martin Arnold and Peter Tscherkassky and includes a conversation between Lopatin and Hammer curator Aram Moshayedi.
Martin Arnold, Passage a L'Acte (1993), 16mm, b&w, sound, 12 min.
Peter Roehr, Film-Montagen 3 (1965), 16 mm film transferred to Blu Ray, b&w, sound, 3 min.
Lis Rhodes, Dresden Dynamo (1971-1972), 16mm, color, sound, 5 min.
Peter Kubelka, Arnulf Rainer (1958-60), 16mm, b&w, sound, 7 min.
Steina & Woody Vasulka, Noisefields (1974), digital, 12 min.
Eve Heller, Ruby Skin (2005), 16mm, color, sound, 5 min.
Paul Sharits, T,O,U,C,H,I,N,G (1968), 16mm, color, sound, 12 min.
Peter Tscherkassky, Outer Space (1999), 35mm, color, sound, 10 min.
All Hammer public programs are free and made possible by a major gift from an anonymous donor.
Generous support is also provided by Susan Bay Nimoy and Leonard Nimoy, Good Works Foundation and Laura Donnelley, an anonymous donor, The Samuel Goldwyn Foundation, and all Hammer members.
The Hammer’s digital presentation of its public programs is made possible by the Billy and Audrey L. Wilder Foundation.