Drawn from police archives and conversations with Brian Weil, who was filming the aftermath of over sixty murders in Miami, How to Shoot a Crime (1987) is a film about framing death. This thirty-minute experimental narrative inspires debates on surveillance, photographic journalism, media manipulation, and the role of the witness in artistic practice. Cultural theorist Sylvère Lotringer and author Chris Kraus discuss their collaborative film.
Brian Weil, 1979–95: Being in the World
The Hammer, in collaboration with the Santa Monica Museum of Art and its presentation of Brian Weil, 1979–95: Being in the World, hosts a series of programs exploring the invisible communities that the extraordinary photographer sought to illuminate in his photographs.
ATTENDING THIS PROGRAM?
ALL HAMMER PROGRAMS ARE FREE
Location: Billy Wilder Theater
Ticketing: Tickets are required and available at the Box Office one hour before the program. General admission tickets are available one per person on a first come, first served basis following member ticketing. Early arrival is recommended.
Member Benefit: Members receive priority ticketing (until 15 minutes before the program) by skipping the general admission line and can choose their seats, subject to availability.
Parking: Under the museum, $6 flat rate after 6 p.m. Cash only.
Food and drink may not be carried into the Billy Wilder Theater. Read our food, bag check, and photo policies.
All Hammer public programs are free and made possible by a major gift from the Dream Fund at UCLA.
Generous support is also provided by Susan Bay Nimoy and Leonard Nimoy, Good Works Foundation and Laura Donnelley, an anonymous donor, and all Hammer members.
The Hammer’s digital presentation of its public programs is made possible by the Billy and Audrey L. Wilder Foundation.