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Collections
Collage of five diverse artworks from the Hammer Museum Collections side by side. From left to right: 1) Contemporary painting of two embracing figures with surreal elements. 2) Post-impressionist style painting of trees with vibrant blues and greens. 3) Black and white illustration of a face with intricate patterns. 4) Japanese woodblock print style image of a figure in a checkered robe. 5) Photograph of a couple dancing, the woman in a black dress and the man in white

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The Hammer Museum and Lulu restaurant will be closed to the public on Tuesday, December 24 and Wednesday, December 25.

Screenings
Part of the series Brian Weil, 1979-95: Being in the World

How to Shoot a Crime

  • This is a past program

Drawn from police archives and conversations with Brian Weil, who was filming the aftermath of over sixty murders in Miami, How to Shoot a Crime (1987) is a film about framing death. This thirty-minute experimental narrative inspires debates on surveillance, photographic journalism, media manipulation, and the role of the witness in artistic practice. Cultural theorist Sylvère Lotringer and author Chris Kraus discuss their collaborative film. 

Brian Weil, 1979–95: Being in the World

The Hammer, in collaboration with the Santa Monica Museum of Art and its presentation of Brian Weil, 1979–95: Being in the World, hosts a series of programs exploring the invisible communities that the extraordinary photographer sought to illuminate in his photographs.

All Hammer public programs are free and made possible by a major gift from the Dream Fund at UCLA. 

Generous support is also provided by Susan Bay Nimoy and Leonard Nimoy, Good Works Foundation and Laura Donnelley, an anonymous donor, and all Hammer members. 

The Hammer’s digital presentation of its public programs is made possible by the Billy and Audrey L. Wilder Foundation.

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