UCLA art history professor Miwon Kwon is trained in architecture, holds an MA in photography, and has extensive curatorial experience from her tenure at the Whitney Museum of American Art in the early 1990s. She is the author of One Place after Another: Site-Specific Art and Locational Identity, as well as essays on the work of many contemporary artists. Kwon recently co-organized the major historical exhibition Ends of the Earth: Land Art to 1974 with Philipp Kaiser at MOCA. Artist Allan McCollum has spent more than 40 years exploring how objects achieve public and personal meaning in a world constituted by mass production. Solo retrospectives of his work have been mounted internationally, and his works are held in over 70 art museum collections around the world. McCollum’s works are featured in Take It or Leave It.
In conjunction with Take It or Leave It: Institution, Image, Ideology.
ATTENDING THIS PROGRAM?
ALL HAMMER PROGRAMS ARE FREE
Location: Billy Wilder Theater
Ticketing: Tickets are required and available at the Box Office one hour before the program. General admission tickets are available one per person on a first come, first served basis following member ticketing. Early arrival is recommended.
Member Benefit: Members receive priority ticketing (until 15 minutes before the program) by skipping the general admission line and can choose their seats, subject to availability.
Parking: Under the museum, $6 flat rate after 6 p.m. Cash only.
Food and drink may not be carried into the Billy Wilder Theater. Read our food, bag check, and photo policies.
All Hammer public programs are free and made possible by a major gift from the Dream Fund at UCLA.
Generous support is also provided by Susan Bay Nimoy and Leonard Nimoy, the Simms/Mann Family Foundation, The Brotman Foundation of California, Good Works Foundation and Laura Donnelley, and all Hammer members.