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Collage of five diverse artworks from the Hammer Museum Collections side by side. From left to right: 1) Contemporary painting of two embracing figures with surreal elements. 2) Post-impressionist style painting of trees with vibrant blues and greens. 3) Black and white illustration of a face with intricate patterns. 4) Japanese woodblock print style image of a figure in a checkered robe. 5) Photograph of a couple dancing, the woman in a black dress and the man in white

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Screenings

Khamosh Pani (Silent Waters)

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Films Selected by Zarina

Zarina’s work has its roots in abstraction, but it is informed by a profound sociopolitical awareness. The artist has selected two extraordinary movies that evoke the realities of post partition India and Pakistan.

Set in the late 1970s, Khamosh Pani follows the lives of a widowed mother and her young son as their village in Punjab, Pakistan is coming under radical influence. (Pakistan, 2003, Dir. Sabiha Sumar, 99 min.)

In conjunction with the exhibition Zarina: Paper Like Skin.

All Hammer public programs are free and made possible by a major gift from the Dream Fund at UCLA.

Generous support is also provided by Susan Bay Nimoy and Leonard Nimoy, the Simms/Mann Family Foundation, The Brotman Foundation of California, Good Works Foundation and Laura Donnelley, and all Hammer members.

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