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Collage of five diverse artworks from the Hammer Museum Collections side by side. From left to right: 1) Contemporary painting of two embracing figures with surreal elements. 2) Post-impressionist style painting of trees with vibrant blues and greens. 3) Black and white illustration of a face with intricate patterns. 4) Japanese woodblock print style image of a figure in a checkered robe. 5) Photograph of a couple dancing, the woman in a black dress and the man in white

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Griselda Pollock on Alina Szapocznikow

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Too Early and Too Late: The Sculptural Dissolutions of Alina Szapocznikow In and Out of Time

Scholar Griselda Pollock is internationally known for her work on feminist studies in the visual arts and cultural theory. Her current work on art as a form of inscription and transformation of traumatic legacies will appear in the forthcoming After-Images/After-Effects: Trauma and Aesthetic Inscription/Encryption in the Virtual Feminist Museum.

In conjunction with the exhibition Alina Szapocznikow: Sculpture Undone, 1955–1972.

Public programs are made possible by Hammer Members and the generosity of Bronya and Andrew Galef, Good Works Foundation and Laura Donnelley, and an anonymous donor.

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