Q&A with Artist Diana Al-Hadid
Diana Al-Hadid in her studio. Photo by Dorothy Hong.
This interview was conducted by electronic mail. Questions were composed by the Hammer’s multimedia fellow Sasha Mann. Look for more information on Diana Al-Hadid's Hammer Project here.
SM: What led you to pursue sculpture in your artistic career?
DAH: When I first committed myself to sculpture, I was at Kent State for my undergraduate. I was first a drawing major because it seemed to be the most wide-open , the most non-denominational of the departments (I’m not sure why I felt that vibe, in fact, but nonetheless..). And of course, like I think most other artists, I was drawing before I did anything else. Then I changed to sculpture after my first class because I loved experimenting with materials and I loved imagining places and worlds I could build- it felt more limitless than anything, and more challenging to me
This interview was conducted by electronic mail. Questions were composed by the Hammer’s multimedia fellow Sasha Mann. Look for more information on Diana Al-Hadid's Hammer Project here.
SM: What led you to pursue sculpture in your artistic career?
DAH: When I first committed myself to sculpture, I was at Kent State for my undergraduate. I was first a drawing major because it seemed to be the most wide-open , the most non-denominational of the departments (I’m not sure why I felt that vibe, in fact, but nonetheless..). And of course, like I think most other artists, I was drawing before I did anything else. Then I changed to sculpture after my first class because I loved experimenting with materials and I loved imagining places and worlds I could build- it felt more limitless than anything, and more challenging to me