Tschabalala Self, Bodega Run, installation view, Pilar Corrias Gallery, London, September 7—27, 2017

Hammer Projects: Tschabalala Self

Self's project Bodega Run examines the neighborhood convenience store as both a gathering place for community and a microcosm of how current economic and political issues are impacting people’s lives.

Working across a range of mediums, including painting, print-making, sculpture, collage, sewing, and installation, Tschabalala Self often depicts ample, powerful, and self-contained figures to explore cultural attitudes toward race and gender. Simultaneously embracing and rejecting stereotypes and fantasies that revolve around black women’s bodies in particular, her lively and spirited portrayals propose new forms of representation that are empowered and celebratory.

For her Hammer Project, Self presents the fifth, and final, iteration of her project Bodega Run, which examines the neighborhood convenience store as both a gathering place for community and a microcosm of how current economic and political issues are impacting people’s lives. Presented in the Hammer’s lobby gallery as a vibrant corner store, the installation includes wallpaper made from Self’s simple line drawings of foods commonly available on market shelves, a tiled linoleum floor, paintings of customers shopping amongst colorful patterns of products, and freestanding sculptures portraying silhouetted animals and a shopkeeper, as well as electronic LED signs in the window emblematic of the various economies that operate in these settings. Bodegas are commonplace in Harlem, where Self was born and continues to reside, and the Bodega Run series traces some of the changes of ownership and demographics associated with these small stores and how they reflect the shifting identities of urban neighborhoods.

Hammer Projects: Tschabala Self is organized by Anne Ellegood, senior curator.

Biography

Tschabalala Self (b. 1990, New York City) lives and works in Harlem and New Haven, CT. She received her B.A. from Bard College in 2012 and her M.F.A. from the Yale School of Art in 2015. Selected recent exhibitions include The Beyond: Georgia O’Keeffe and Contemporary Art, Crystal Bridges Museum of American Art, Bentonville (2018); Bodega Run, Pilar Corrias Gallery, London (2017); Trigger: Gender as a Tool and a Weapon, New Museum of Contemporary Art, New York (2017); Tschabalala Self, Tramway, Glasgow (2017); Tschabalala Self, Parasol Unit Foundation for Contemporary Art, London (2017); Desire, Moore Building, Miami (2016); The Function, T293, Naples (2016); A Constellation, Studio Museum Harlem, Harlem (2015); Tropicana, The Cabin, Los Angeles (2015). Self is currently an Artist-in-Residence at Studio Museum in Harlem, New York (2018).

Hammer Projects is presented in memory of Tom Slaughter and with support from the Horace W. Goldsmith Foundation.

Hammer Projects is made possible by a gift from Hope Warschaw and John Law. Generous support is also provided by Susan Bay Nimoy and Leonard Nimoy. Additional support is provided by Good Works Foundation and Laura Donnelley.