Hammer Projects: Eric Baudelaire

Hammer Projects: Eric Baudelaire

In his first U.S. museum solo show, Paris-based Eric Baudelaire will present his video Sugar Water (2007). The action takes place on a Paris metro platform where a billposter covers a large advertising billboard with a sequence of images that depict a car parked on a Parisian street that bursts into flames, becomes swallowed up in smoke, and then remains only as a skeleton of the former car. Using a laborious traditional system to mount the details of each image, this cinematic event gradually unfolds over the 72-minute film, offering a slow contemplative consideration of political violence as a counterpoint to the rapid barrage of images we typically experience in our news media. Despite its slow, nearly meditative pace, Baudelaire creates a haunting and provocative work that completely absorbs the viewer.

Organized by Anne Ellegood, Hammer senior curator.


Paris-based artist Eric Baudelaire was born in Salt Lake City, Utah, in 1973 and graduated from Brown University in 1994. His work has been the subject of one-person exhibitions at Elizabeth Dee Gallery in New York and galleries in Europe as well as at the Musée de la Photographie, Charleroi, Belgium, and Gallery TPW, Toronto. His work has been included in numerous thematic exhibitions such as Concrete Eruditions, Le Plateau / FRAC, Paris, France; Great Expectations, Casino Luxembourg, Luxembourg, France; and Replaying Narrative, Le Mois de la Photo, Montreal, Canada. Baudelaire’s exhibition at the Hammer is his first one-person museum exhibition in the United States.


By Anne Ellegood

A remembered event is infinite. —Walter Benjamin1

Long before the events of September 11, 2001, there was another terrorist attack on Wall Street. On September 16, 1920, an Italian anarchist named Mario Buda, angry over the recent executions of fellow ideologues Nicola Sacco and Bartolomeo Vanzetti, parked his horse-drawn carriage, filled with one hundred pounds of dynamite and five hundred pounds of cast iron, on the corner of Wall and Broad Streets in downtown Manhattan, across from the J. P. Morgan Company offices. Buda then left the neighborhood, and soon thereafter the handcrafted bomb exploded, killing close to forty people, injuring dozens more, and causing enormous damage to the buildings in the vicinity. Nearby, leaflets were found that read, "Free the Political Prisoners or it will be Sure Death for All of You!"2 It was the deadliest attack perpetrated in the United States up to that time, and the first incident to involve a car bomb (the carriage being the “car” of its day), a now-common strategy for getting explosive devices into vulnerable locations undetected. These days, car bombs are detonated on a regular basis, but we usually associate them with countries experiencing war or civil strife, such as Iraq and Lebanon. Few would likely guess that the first such attack took place on American soil. 

 Sugar Water 

 Blind Walls 

 Sugar Water  Erewhon 

 Sugar Water 


 Selected Writings


 Creative Evolution

 Matter and Memory


Hammer Projects is made possible with major gifts from Susan Bay Nimoy and Leonard Nimoy and The Horace W. Goldsmith Foundation.

Additional generous support is provided by the Los Angeles County Arts Commission, Good Works Foundation and Laura Donnelley, L A Art House Foundation, the Department of Cultural Affairs, City of Los Angeles, and the David Teiger Curatorial Travel Fund.