His Broken Lines

His Broken Lines

Between 1987 and 1990, Tony Greene (1955–1990) produced a small yet powerful body of work exploring desire, mortality, and the continued presence of the body in the face of the AIDS epidemic. This discussion explores Greene’s work, the politics of queer art production in Los Angeles during the late 1980s and early 1990s, and the stakes related to queer curatorial and artistic practices. Moderated by David Frantz, curator of Tony Greene: Amid Voluptuous Calm, with Monica Majoli, artist and curator; Lawrence Rinder, director, UC Berkeley Museum and Pacific Film Archive; Matias Viegener, artist and writer; and artist Millie Wilson.

ALL HAMMER PUBLIC PROGRAMS ARE FREE. Tickets for assigned seating in the Billy Wilder Theater are required and available at the Box Office one hour before each program. Early arrival is recommended. Tickets are available one per person on a first come, first served basis. 

As a benefit for their support, members enjoy priority ticketing and seat selection, subject to availability.

Parking is available under the museum for a flat fee of $3 after 6PM. 

All Hammer public programs are free and made possible by a major gift from the Dream Fund at UCLA.

Generous support is also provided by Susan Bay Nimoy and Leonard Nimoy, the Simms/Mann Family Foundation, The Brotman Foundation of California, Good Works Foundation and Laura Donnelley, and all Hammer members.