Sculptor Diana Al-Hadid constructs baroque architectural forms such as towers, labyrinths, and pipe organs that appear to be in a state of ruin. Composed from steel, polystyrene, cardboard, plywood, plaster, and resin, Al-Hadid’s sculptures are informed by an array of influences, both Eastern and Western—ancient biblical and mythological narratives, Arabic oral traditions, Gothic architecture, iconic Western painting, Islamic ornamentation, and scientific advances in physics and astronomy. For her first solo museum exhibition, Al-Hadid made a new piece inspired by the Islamic astronomer and inventor Al-Jazari’s famous water clock, built in 1206, and early Netherlandish Renaissance paintings.
In conjunction with the exhibition Hammer Projects: Diana Al-Hadid.
ATTENDING THIS PROGRAM?
ALL HAMMER PROGRAMS ARE FREE
Location: Billy Wilder Theater
Ticketing: Tickets are required and available at the Box Office one hour before the program. General admission tickets are available one per person on a first come, first served basis following member ticketing. Early arrival is recommended.
HAMMER PLUS Benefit: Members receive priority ticketing (until 15 minutes before the program) by skipping the general admission line and can choose their seats, subject to availability.
Parking: Under the museum, $3 flat rate after 6 p.m. (cash only)
Food and drink may not be carried into the Billy Wilder Theater. Read our food, bag check, and photo policies.
Public programs are made possible, in part, by a major gift from Ann and Jerry Moss.
Additional support is provided by Bronya and Andrew Galef, Good Works Foundation and Laura Donnelly, an anonymous donor, the Hammer Programs Committee, and Susan and Leonard Nimoy.