This half-day workshop is part of a 3-day event for graduate students on postwar Japanese art, Rajikaru! Experimentations in Japanese Art 1950–1975, sponsored by the Getty Research Institute (GRI). The event is presented in conjunc- tion with the GRI exhibition Art, Anti-Art, Non-Art: Experimentations in the Public Sphere in Postwar Japan, 1950–1970, curated by Charles Merewether and Rika Iezumi Hiro.
Funding for the workshop has been generously provided by the UCLA Center for Japanese Studies and the Getty Research Institute.
Registration is required. Please email your name and affiliation to: [email protected]
Separate registration is necessary for the programs at the Getty Research Institute. For more information, please visit: www.getty.edu.
ALL HAMMER PUBLIC PROGRAMS ARE FREE
Public programs are made possible, in part, by major gifts from the Annenberg Foundation and Mimi and Werner Wolfen. Additional support is provided by Laura Donnelley, Bronya and Andrew Galef, Erika Glazer, and an anonymous donor.