RESCHEDULED: Beckett on Film: Happy Days
- This is a past program
Please note that this screening was originally scheduled for April 29 and has been moved to April 30. We apologize for any inconvenience.
Presented by the UCLA Film & Television Archive.
Part of the UCLA Film & Television Archive screening series Patricia Rozema. Learn more at cinema.ucla.edu.
In person: Director Patricia Rozema
Considered part of the informally defined collection of independent filmmakers to make up the Toronto New Wave in the 1980s and early 1990s, filmmaker, television director, artist and educator Patricia Rozema (b. 1958) found breakout success at the 1987 Cannes Film Festival when her first feature, I’ve Heard the Mermaids Singing, nabbed the Prix de la Jeunesse in the Director’s Fortnight section, making it the first English-language Canadian film in the festival’s 40-year history to win an award. Rozema’s subsequent career, which has encompassed narrative features, shorts, documentaries and episodes of hit television series as both director and writer, maintains her first feature’s lighthearted irreverence, stylistic bravado, eye for magical realism and distinctly queer sensibility. Currently inspiring the next generation of filmmakers as an adjunct professor at the UCLA School of Theater, Film and Television, Rozema joins the Academy Museum and the UCLA Film & Television Archive for a weekend-long trip through her playful outlook on artmaking.
Beckett on Film: Happy Days (2000)
Conceived as a project to make 19 of Samuel Beckett’s plays available on film, Beckett on Film featured a different cast and director — drawn from theater, film and other artistic fields — for each play. Happy Days is Patricia Rozema’s contribution to the canon, wherein she masterfully directs the plight of two characters stuck in the desert sand, which, like many of Beckett’s works, has them in a bad situation that by the second half gets much worse. Starring the captivating Rosaleen Linehan, this rarely screened TV movie is a delight of dialogue that purposefully uses the confines of the space, the situation, and the screen to bring the absurd to life.
DCP, color, 78 min. Director: Patricia Rozema. Writer: Samuel Beckett. With: Rosaleen Linehan, Richard Johnson.
ATTENDING THIS PROGRAM?
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