Nine Lives: Visionary Artists from L.A.

The Hammer Museum presents its next invitational exhibition celebrating Los Angeles-based artists

On view at the Hammer March 8 - May 31, 2009

Los Angeles, CA - Nine Lives: Visionary Artists from L.A. is the fifth in the Hammer Museum’s
biannual invitational exhibition series highlighting work created in greater Los Angeles. Nine
Lives features over 125 works, much of it new, by nine artists spanning four generations —
Lisa Anne Auerbach, Julie Becker, Llyn Foulkes, Charles Irvin, Hirsch Perlman, Victoria
Reynolds, Kaari Upson, Jeffrey Vallance, and Charlie White. The works include video,
paintings, drawings, photography, textiles, and two new sculptural installations. As all of the
artists live and work in L.A., Nine Lives embodies many of the psychic complexities and
paradoxes of the city – it is at once beautiful and frightening, refined and unruly.

The reinvention of oneself is central to several of these nine artists’ practices. They create
characters and tell stories of fantasy and science fiction, building alternate worlds grounded
on their obsessions. Popular culture, folk and urban mythology are common themes, as are
alternative lifestyles, conspiracy theories, forgotten rites and subcultures. The exhibition is
curated by Ali Subotnick and it is her first large-scale project since she joined the curatorial
team at the Hammer in 2006.

“In approaching this exhibition, I chose to concentrate on nine idiosyncratic artists who struck
me as being especially hard to define or categorize,” said curator Ali Subotnick. “The artists are intriguing because they dive so deeply into their own fabricated worlds that a kind of
myopic vision occurs, which very viscerally communicates their fears, dreams, anxieties,
fantasies, curiosities, and moral concerns.”

These nine artists play make believe, perform mad science experiments, conduct intense
research projects, and lead treasure hunts. They are amateur anthropologists, biographers ,
behavioral profilers, passionate collectors and documentarians. The luxury of space and privacy
that Los Angeles affords allows them the freedom to tinker, research, and explore their
obsessions which often parallel Hollywood’s dream factory.

“The Hammer’s biannual invitational exhibitions are terrific opportunities to explore the
unlimited modes of artistic expression in this city,” says Ann Philbin Director of the Hammer
Museum. “Each of these exhibitions – Eden’s Edge, Thing, International Paper, and Snapshot –
has brought a wholly unique perspective and surprising look at artists working in L.A. and
beyond. Nine Lives continues this tradition beautifully.”

The show is comprised of nine distinct sections, each one presenting a single artist’s work.
Llyn Foulkes, the senior artist in the group, sets the pace in the first gallery with a work of
haunting intensity. Foulkes holds a special place in the history of Los Angeles art, and his
influence on younger generations is pervasive.

Lisa Anne Auerbach’s artistic practice is multi-faceted — she is a writer, a passionate
advocate of bicycling, a knitter, a photographer, and a political activist. Auerbach has co-
opted the traditional female craft of knitting and transformed it into a tool for wry, pointed
political messages. Her contribution to the exhibition includes sweaters with hand-knit
political jokes and riddles, as well as ‘cover girl’ self-portrait photographs featuring the artist
in deadpan poses revealing the her sly sense of humor.

Julie Becker’s work is often based on the obsessive imagined intimate details of fictional
characters. For this exhibition Becker shows video, photographs, collages, drawings, and
sculptures from the ongoing (w)hole project which is based on the life of the deceased former
tenant of her last apartment. She weaves connections between the mysterious man’s life and
her own.

Llyn Foulkes’s career can be traced from his First Award for Painting at the Fifth Paris
Biennale in 1967, through his participation in the legendary Helter Skelter (1992) exhibition at
the Museum of Contemporary Art, Los Angeles. This exhibition will include ten works spanning
four decades that use both humor and horror to expose the hypocrisies and the absurdities of
American culture.

Charles Irvin presents, in addition to drawings and paintings, a new video in the style of
conspiracy theory documentaries, exploring the origins and agenda of the False Memory
Syndrome Foundation, a support group for individuals who claim to have been falsely accused
of perpetrating child sexual abuse.

Hirsch Perlman makes photographs and videos that capture mysterious landscapes, strange
experiments, enigmatic characters, and unexplained phenomena. For this exhibition Perlman
made a new body of photographs—portraits of a cat shot with a 4 x 5 camera – which are
studies of movement and stillness, both beautiful and haunting at the same time.

Victoria Reynolds creates rich, highly detailed paintings of raw meat. She paints pictures of
venison, bacon strips, tripe, and reindeer meat in bold strokes, often encasing the paintings in
elaborate rococo frames, which give the meat an almost regal portraiture quality. The sinewy
tissues and tendrils resemble gems, pearls, and blossoms both seductive and repulsive.

Kaari Upson has created a new installation which re-imagines the grotto at the Playboy
mansion with several video projections and a bubbling pond. It is a continuation of the
ongoing Larry Project, which investigates the life and identity of a stranger whose personal
items Upson discovered in an abandoned burned out home in 2005. First shown as a Hammer
Project in 2007, this body of work confronts ideas about identity and privacy as Upson explores
a bizarre fantasy life with this stranger whose biography she has become absorbed with.

Jeffrey Vallance is a collector of objects from all over the world and is often described as an
amateur anthropologist. However, unlike most anthropological studies, Vallance’s work zeros in
on the overlooked treasures of everyday life. He takes kitschy and seemingly banal objects and
ideas and transforms them into humorous works of art. For this exhibition, Vallance presents
one of his many object collections which is displayed on a replica of a wall from his home.

Charlie White’s work reflects his fascination with mainstream American popular culture and his
interest in subcultures. In this show, White presents a new video, American Minor (2008) which
explores the angst and boredom of a pre-teen girl, and a new photo series pairing teenage
girls and pre-op transwomen, both on the verge of womanhood.

The exhibition is accompanied by a full-color catalog designed by the Purtill Family
Business. The catalog includes an introductory essay by curator Ali Subotnick and the short
story Golden Land, written by William Faulkner in 1935, during his brief time as a Los Angeles
transplant. Related public programs include live music, films, lectures, artists’ talks, and panel

Hammer Invitationals, inaugurated in 2001 with Snapshot: New Art from Los Angeles, is a series
of biennial exhibitions dedicated to offering critical, museum-based consideration of recent
art. International Paper (2003), THING: New Sculpture from Los Angeles (2005), winner of the
International Association of Art Critic’s “Best Thematic Show Nationally,” Eden’s Edge: Fifteen
LA Artists (2007), followed, and Nine Lives: Visionary Artists from L.A. opens in March 2009.

This exhibition has received major support from The Andy Warhol Foundation for the Visual
Arts. Additional support has been generously provided by Linda and Jerry Janger, Barbara and
Peter Benedek, David Teiger, the Pasadena Art Alliance, Joel Portnoy, John Rubeli, and Alisa
and Kevin Ratner.

The catalog is published with the assistance of The Getty Foundation.

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